The greatest synth event of the year is coming to The Fez in Berlin in just four months. Superbooth 218 promises to be bigger and better than ever so get your discounted tickets before it's too late.
Arpitecht is a voltage controlled quantizer and rhythmic arpeggio generator for eurorack systems. Sara Simms fired it up and found out what it could do.
Running Komplete Kontrol in standalone and plugin modes involves different approaches and outcomes. Here's when to use each one, and how they can help you.
The latest in Roland's Boutique series is a recreation of its classic D-50 heard on countless hit records. Jade Wii gets intimate with the hugely portable D-05.
We can all experience DAW issues and slowdowns, but fixing them can be easier than a trip to the DAW doctor. Matt Vanacoro shares some of his experience on how to declutter your system.
By forcing MIDI to conform to different scales you can radically change the way a track sounds. In this short video, Noah Pred explains how to do it.
Here's the latest news for the curiously cool customizable Tinami MD-1 MIDI controller. It looks set to be available in February 2018 for under â‚¬200!!
It's been a quiet year for MIDI controllers from the big players but there have still been some impressive new controllers released for software and hardware musicians.
Parallel processing is a key routing and mixing technique that every producer needs to know about. Joe Albano breaks down exactly how it works, and why it's important.
The good news for recording producers is that Antelope Audio's Discrete microphone preamp interfaces are now shipping and their classic mic modelling / emulation solutions are also available.
Jon Rundell is an accomplished DJ and producer who as well as releasing his own music has remixed for the likes of Josh Wink. We caught up with him to find out what makes him tick.
Hardware synths continued to grow in popularity through 2017 proving that demand for tactile music machines is alive and kicking. Here's 10 of our favorite hardware synths released this year. Â
In a digital world, it's still possible to get analog sound for your productions without using external hardware. In this short video, Rich Tozzoli shows you how it's done.
Max programmers continued to innovate this year with a variety of colorful instruments, utilities, generative tools, and effects. Here's a look back at five that stuck out.
2017 was a great year for making music on iPads and iPhones, with several major new releases. Here are some of our favourite tools for mobile music-making.