Sara Simms captivates the world as an innovative musician, DJ, turntablist and electronic music producer. She's a multi-instrumentalist who's known for her love of music technology. Sara makes her mark in the music community by crafting diverse sets with styles ranging from pulsating techno to house. She balances technical skills with a refined musical sensibility and her approach to DJing focuses on improvisation through multi-deck mixing. Her passion for music has led her to tour through North America, Japan and Europe. Recently, she's played sets for Allen and Heath's live broadcast at the Amsterdam Dance Event, on Detroit's 313.FM and on Toronto's CTRL Room. Sara has an intriguing background as a jazz guitarist turned turntablist. She's competed in DJ battles in both Canada and the US, and was a runner in up the 'Scratch' – The Ultimate DJ Contest. Sara's DJ career began in Toronto with residencies at venues like This Is London, The Courthouse and The Ritz-Carlton. She's now focused on studio work and has founded her own label, Simmetry Sounds to release productions and collaborations. As an artist who stays on the cutting edge of new technologies, Sara has worked together with brands like Arturia, Casio, Fender, Genelec, Pioneer DJ, Mixed in Key, Moog Music Inc, Native Instruments and Roland. As a DJ, Sara has played events for legendary brands like Dior, Guess, M.A.C. Cosmetics, Victoria's Secret and Volvo. Sara's career highlights include: playing at Ultra Music Festival in Miami, opening for the Friendly Fires in Cannes, France, appearing on DJ QBert's 'Skratch University', a US tour with Melleefresh (Play Records), judging the Canadian DMC Championships, playing at AIR (Tokyo), W Hotel (Miami and Seattle) and performing at Pride Toronto.
The gear that iconic bands use is just as big a part of their identity as the music they make or the place they come from. So what were Nirvana using when they made Nevermind?
A site where you can choose a bespoke way to buy just the samples you need is always a welcome addition to the market. Could AudioHero save the day?
Traktor's effects can be tailored to suit many kinds of music performance. Here, Sara Simms shares her secrets for great-sounding techno FX with audio examples.
Ableton Live and NI's Traktor are both supreme live performance tools, so what could be better than linking them together? Sara Simms shows you some easy ways to do it.
Compression is a core part of any mixer's toolbox but sometimes you need to go that extra mile. Sara Simms checks out the Black Rooster Audio VLA-3A.
Live percussion can add a lot to a recording session. Here are some tips to help you capture it as accurately as possible.
A power-efficient, great sounding and cool-looking compressor plugin that is also affordable sounds too good to be true, but Sara Simms knows the truth about the VLA-2A compressor...
A vacuum tube microphone can give you great recordings. But can the Mojave MA-1000 really sound as good as mics costing ten times as much?
The Rupert Neve Shelford 5052 Mic Pre/Inductor EQ carries the prestigious Neve label, but how did it fare in our tests? Read on to find out.
An opening DJ set is an art form and considered one of the most challenging DJ sets to play. Opening DJs need to set the mood, warm up an empty venue and gradually coax people onto the dance floor.
The new Roland DJ-808 DJ controller seeks to be the hub for every DJ setup. featuring a 4-channel mixer, jog wheels, 16-step sequencer with Roland's iconic 909, 808, 707 and 606 drum sounds and more.
The Christmas & Winter Holidays are here. If you’re thinking of a gift for a DJ or live musician friend/relative or for yourself, here are 12 inspiring music gifts suggested by Sara Simms.
You say scratching, I say sktratching... In this article turntablists Sara Simms and deejay stutter share some exclusive scratching tips and tricks for DJs.
An unashamedly digital hardware synthesizer, the Modor NF-1, captured our attention with its beautiful, minimal, sleek design and left us curious whether its sounds would live up to its aesthetics.
While having a DJ gear setup you can rely on is great, getting stuck in familiar patterns can lead to predictable live performances. In this tutorial Sara Simms explores how to evolve your DJ setup.
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