Rounik is the Executive Editor for Ask.Audio & macProVideo. He's built a crack team of professional musicians and writers to create one of the most visited online resources for news, review, tutorials and interviews for modern musician and producer. As an Apple Certified Trainer for Logic Pro Rounik has taught teachers, professional musicians and hobbyists how to get the best out of Apple's creative software. He has been a visiting lecturer at Bath Spa University's Teacher training program, facilitating workshops on using music and digital media tools in the classroom. If you're looking for Rounik, you'll most likely find him (and his articles) on Ask.Audio & macProVideo.com.
One of the most famous experimental glitch artists today is BT. His album "This Binary Universe" is a favorite in my collection and features carefully crafted microsounds that stutter in and out of ti
Every time there is an announcement of a new version of Pro Tools, Cubase or Logic, the rumor-mill in the world of DAWs proclaims it to be the "[insert competitors DAW here] Killer". I take these stat
You've recorded a great multi-track drum take. The performance was perfect, but let's say the kick drum sound leaves a lot to be desired... What do you do? In previous versions of Logic you had a coup
Compressors can be a great way to even out the dynamics of a drum mix, vocal performance or any audio signal. A compressor works by lowering the gain when the signal jumps above a certain level or thr
An often used technique in music production to spice up a song is to reverse a sound. Commonly used in Electronic forms of Dance music is a reversed Crash Cymbal which can be a great way to lead in to
I have a confession to make... I'm addicted to creating weird (and sometimes wonderful) sound effects in Logic. There's something undeniably satisfying about stretching, flexing, effecting, warping, a
When not hanging around the macProVideo forums you can usually find me immersed deep in my studio using Logic's instruments and effects designing and creating ambient textures and
Advanced Audio Editing Techniques for Logic Pro & Express Editing audio in Logic 9 is easy. You can resize, cut, paste, copy sections of a region using the Marquee tool, etc. But one little known ...
Cleaning up noisy audio recordings Nobody likes a noisy recording. You know, whether it be a recording of guitars, drums or most of all spoken word... the hiss or hum of background noise, traffic, com
So, you've finished composing, recording, arranging, mixing and mastering your song/music in Logic. What next? Well, you could play your finished music tracks in Logic... as much as I love Logic, it's
When musical inspiration strikes are you prepared? So, you've got a musical idea and you want to put that idea in Logic the last thing you want is to lose that potential hit track while setting up you
Logic Pro 9 comes bundled with a huge number of loops and presets and patterns for it's drum synth/sampler, Ultrabeat and the EXS24. One of the problem with using loops (and even your own recordings
Spacious. Interesting. Wide. Powerful. Clear. Cohesive. Punchy... These are some words that might be used to describe a good mix. But mixing is not a one-size-fits-all art or science. There is no one
If you have done research into how the Pro's approach Mixing, you've undoubtedly come across information such as to Mix at low levels, listening to your mix in mono and how important it is to give you
Recording audio. Whether you are a seasoned guitarist, a hobby vocalist or even an electronic musician, at some stage you'll want to record audio into Logic. In the second part of this series that's
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