Joe is a musician, engineer, and producer in NYC. Over the years, as a small studio operator and freelance engineer, he's made recordings of all types from music & album production to v/o & post. He's also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magazine for many years.
Parallel processing is a key routing and mixing technique that every producer needs to know about. Joe Albano breaks down exactly how it works, and why it's important.
Monitor mixing for several musicians isn't always paid the attention it could be. With the MyMix Personal Monitor System, could Joe Albano have found the answer?
Aston has made a name for itself with its innovative and affordable range of mics. But will the Spirit move Joe Albano? Read on to find out...
When someone thinks they have a handle on a process but they actually don't, bad things can happen. Joe Albano advises you how to avoid some of the most common production pitfalls.
When choosing a microphone or mic collection for your studio, how do you know which route to take? Joe Albano shares his experience and offers up some wise words...
Effects most commonly associated with the 60s and 70s, flanging and phasing are still very much in use in modern production. Joe Albano explains exactly how they work .
Don't let Logic's large sample libraries eat up all your hard drive space. Joe Albano shows you how to store them more effectively while still retaining easy access to all your sounds.
Cue mixing is sometimes a bit of an afterthought in the recording process but it's actually vitally important to getting the best out of your performers. Joe Albano explains why.
With auto-mixing features and a wealth of other new tools and tricks, could iZotope's latest version of Neutron be just what the doctor ordered? Joe Albano gets into the fine detail.
If drum maps seem confusing and mysterious, fear not! Joe Albano is here to demystify the ways in which different systems and setups deal with translating drums to your MIDI keyboard.
Clip gain tools can be a more effective way to control specific changes in volume than using automation or compression. Joe Albano breaks down the advantages to its use in Pro Tools.
Using a sample-based acoustic drum instrument can be a lot easier than recording a real drum kit. Joe Albano takes you through some of the best on the market.
Logic's EXS24 may not have changed its looks in a long time but under the hood there's lots that's new. Joe Albano goes deep inside this powerful sampler to reveal some of its advanced tools.
Making authentic drum patterns even if you're not a drummer isn't as hard as you might have thought. Joe Albano takes you through the fundamentals of programming a great beat.
Sometimes there's a sound or effect you can only get from hardware. It's easier than you might think to incorporate outboard gear into Logic, but there are a few rules to follow. Joe Albano explains.
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