Joe is a musician, engineer, and producer in NYC. Over the years, as a small studio operator and freelance engineer, he's made recordings of all types from music & album production to v/o & post. He's also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magazine for many years.
The deeper we delve into the digital direction for music production, the more we seem to crave that analog, unpredictable, warm treatment for our sounds. Joe Albano shares 6 ways to achieve this.
Originally viewed as a problem, distortion is now one of the most used creative effects in music productions. Joe Albano adds some warmth and crunch to the proceedings in this enlightening tutorial.
Being a regular audio interface is only half of what Tascam's UH-7000 offers. It's also a high-quality dual mic preamp, with Phantom Power. Joe Albano discovers how well it performs on both counts.
Most times you'll record instruments in mono to a single channel, but sometimes you may want to beef these up in the mix and create stereo versions. Here's how, in Logic Pro X.
Latency is part & parcel of everyday life when recording and mixing in our DAWs. Joe Albano gives a thorough tour of what latency is and the different ways to reduce its impact when monitoring.
Learn all about how velocity curves in Logic Pro X can be used to provide a number of excellent solutions to some real head scratchers.
You're on the lookout for gear to add subtle but serious sonic warmth to audio in your production studio? Need to enhance the depth and presence? SBS new SP-1 tube processor might be for you
The old adage GIGO (Garbage In, Garbage Out) is arguably most important when recording vocals for your music productions. In this article Joe Albano shares 5 essential tips for recording good vocals.
Providing the flexibility of a high-quality, adaptable USB audio interface and a stand-alone monitoring box, SPL's Crimson makes elaborate routing needs easy to achieve as Joe Albano discovers.
Most of us have an in-the-box software-based solution for recording, editing and mixing. And that's great. But, if you're missing that analog warmth, here's how you can add that to your DAW setup.
Fancy yourself as a bit of a Sherlock when it comes to re-connecting missing samples in Logic Pro X's EXS24? Well, take a break from the sleuthing and let Joe Albano show you an easier way!
If you're searching for a Hammond/Leslie organ soft instrument that not only sounds convincing but is fun to play, then the DB-33 in Pro Tools could be for you. Joe Albano gives it an in-depth whirl.
A high-quality matched-pair of stereo microphones for just $199 US? Really? What's the catch? How do the M-Audio Pulsar IIs perform against mics four times their price? Joe Albano finds out.
When it comes to MIDI recording and editing, Logic Pro has been a producer's favorite for many years. In this tutorial, Joe Albano explores the finer points of editing MIDI in real-time in Logic.
Pro Tools users are probably familiar with editing MIDI in the MIDI Editor or Event Operations window. Joe Albano reveals an alternative window which will open up real-time possibilities.
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