Joe Albano

Joe Albano

Joe is a musician, engineer, and producer in NYC. Over the years, as a small studio operator and freelance engineer, he's made recordings of all types from music & album production to v/o & post. He's also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magazine for many years.

Articles by Joe Albano

/ 319 Articles

Pro Tools Tip: Understanding The Different Playhead and Selection Behaviors

If you're switching between DAWs frequently, or migrating a project to Pro Tools, you can customise the playhead and selection behaviors, so you'll always feel comfortable when editing.

5 Tips for Working with Pro Tools Eleven Guitar Amp Simulator

Grab your guitar, launch Pro Tools and get the Eleven plug-in on screen now! Joe Albano takes us through 5 meaty tips for using this excellent guitar amp simulator from Avid.

Review: XILS 3 v2.0 (VCS 3 Modular Synth Recreation)

French company XILS, in what must truly be a labor of love, has resurrected the VCS 3 modular synth, as the XILS 3, Joe Albano takes a deep look at their recent v2 update, now the XILS 3.2.

6 Tips for Making Digital Sound Analog (Analog Warmth From Software Plug-Ins)

The deeper we delve into the digital direction for music production, the more we seem to crave that analog, unpredictable, warm treatment for our sounds. Joe Albano shares 6 ways to achieve this.

Discovering Distortion in Logic Pro X

Originally viewed as a problem, distortion is now one of the most used creative effects in music productions. Joe Albano adds some warmth and crunch to the proceedings in this enlightening tutorial.

Review: Tascam UH-7000

Being a regular audio interface is only half of what Tascam's UH-7000 offers. It's also a high-quality dual mic preamp, with Phantom Power. Joe Albano discovers how well it performs on both counts.

Creating Stereo From Mono Tracks In Logic Pro X

Most times you'll record instruments in mono to a single channel, but sometimes you may want to beef these up in the mix and create stereo versions. Here's how, in Logic Pro X.

How to Achieve 'True' Zero-Latency Monitoring in Your DAW

Latency is part & parcel of everyday life when recording and mixing in our DAWs. Joe Albano gives a thorough tour of what latency is and the different ways to reduce its impact when monitoring.

Problem Solving With Velocity Curves In Logic Pro X

Learn all about how velocity curves in Logic Pro X can be used to provide a number of excellent solutions to some real head scratchers.

Review: SBS SP-1 2UBE

You're on the lookout for gear to add subtle but serious sonic warmth to audio in your production studio? Need to enhance the depth and presence? SBS new SP-1 tube processor might be for you

5 Essential Vocal Recording Tips

The old adage GIGO (Garbage In, Garbage Out) is arguably most important when recording vocals for your music productions. In this article Joe Albano shares 5 essential tips for recording good vocals.

Review: SPL Crimson

Providing the flexibility of a high-quality, adaptable USB audio interface and a stand-alone monitoring box, SPL's Crimson makes elaborate routing needs easy to achieve as Joe Albano discovers.

Creating An Analog Front-End For DAW Recording

Most of us have an in-the-box software-based solution for recording, editing and mixing. And that's great. But, if you're missing that analog warmth, here's how you can add that to your DAW setup.

Solve the Case of the Missing EXS Instrument Samples in Logic Pro

Fancy yourself as a bit of a Sherlock when it comes to re-connecting missing samples in Logic Pro X's EXS24? Well, take a break from the sleuthing and let Joe Albano show you an easier way!

Exploring the DB-33 in Pro Tools

If you're searching for a Hammond/Leslie organ soft instrument that not only sounds convincing but is fun to play, then the DB-33 in Pro Tools could be for you. Joe Albano gives it an in-depth whirl.