Joe is a musician, engineer, and producer in NYC. Over the years, as a small studio operator and freelance engineer, he's made recordings of all types from music & album production to v/o & post. He's also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magazine for many years.
Providing the flexibility of a high-quality, adaptable USB audio interface and a stand-alone monitoring box, SPL’s Crimson makes elaborate routing needs easy to achieve as Joe Albano discovers.
Most of us have an in-the-box software-based solution for recording, editing and mixing. And that's great. But, if you're missing that analog warmth, here's how you can add that to your DAW setup.
Fancy yourself as a bit of a Sherlock when it comes to re-connecting missing samples in Logic Pro X's EXS24? Well, take a break from the sleuthing and let Joe Albano show you an easier way!
If you're searching for a Hammond/Leslie organ soft instrument that not only sounds convincing but is fun to play, then the DB-33 in Pro Tools could be for you. Joe Albano gives it an in-depth whirl.
A high-quality matched-pair of stereo microphones for just $199 US? Really? What's the catch? How do the M-Audio Pulsar IIs perform against mics four times their price? Joe Albano finds out.
When it comes to MIDI recording and editing, Logic Pro has been a producer's favorite for many years. In this tutorial, Joe Albano explores the finer points of editing MIDI in real-time in Logic.
Pro Tools users are probably familiar with editing MIDI in the MIDI Editor or Event Operations window. Joe Albano reveals an alternative window which will open up real-time possibilities.
No matter how attached you are to your DAW, one day you'll likely need to transfer your project to another app. Joe Albano shows how to transfer from Logic Pro to Pro Tools and back again!
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