Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.
What better way to liven up your performances than with some patterns and movement? Here's how the volca FM's arpeggiator works, plus a few insider tricks...
If you've ever lusted after the exquisite analog sounds that are now firmly back in fashion on TV and in the movies, Output's latest might be just what you're looking for.
Wireless is definitely the wave of the future. It's quick, easy and usually painless! G.W Childs shows you some creative ways to use these devices that you might not have though of.
iConnectivity is well known for its powerful and flexible audio interfaces, so what would we make of the ConnectAUDIO 2|4 when we put it to the test?
Musicians, producers and sound designers might all want to consider this Kontakt collection to pad out their sound library with some great ambient textures.
Touch-based controls for audio software are all the rage. So would Touch Innovations' Kontrol Master take us back to the 80s, or forward to the future?
Using pro studios is a great idea but here are some excellent tips to help you prepare and maximize your time while you're there so you get the best possible bang for your buck.
Why turn to a synth when a voice can do just as well, and sounds great? Here's how to achieve great results with a voice instead of a synth in Ableton Live.
The Combinator is one of Reason's most powerful devices. Here's how to take advantage of it to unlock truly creative live performances.
We unzipped this collection of Chillwave samples and loops and went on a blissful musical journey...
You probably never thought that sloppy editing could get people killed. G.W Childs reports from the front line with news of how to avoid danger.
Some plugins go beyond regular processing and open up whole new worlds of time-based sound mangling. Could Cableguys' latest offering take you to another world?
Reason's modules are capable of creating almost any kind of sound you like. Here's how to create a Cashmere Cat-style kick bass patch using Subtractor.
Using different sampling techniques can make a world of difference when it comes to the end results. Find out why in this tutorial from G.W Childs...
What could be better than a portable controller with genuine Akai pads? A wireless option, of course!
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