G.W. Childs IV

G.W. Childs IV

Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.

Articles by G.W. Childs IV

/ 552 Articles

Sound Design: How to Play Guitar Like Lil' Wayne in Reason

In this Sound Design tutorial, GW Childs reminisces about love, life and music. In the process he shares how to use Reason to create the guitar section from Lil' Wayne's sultry classic, 'How to Love'.

Create Bigger Basses in Reason Using Samplers

Getting fatter basses in Reason became a lot easier when Thor was introduced. But there's a more old school method to getting distinctive, bigger bass sounds. G.W. reveals his tricks of the trade.

Deep Freeze in Logic: When to Freeze, When Not to Freeze

There are a number of approaches to working with CPU-guzzling plugins in Logic Pro. In this quick tip article GW Childs IV runs through Logic's freeze function and when to use it and when not to.

Audio Review: TAL Vocoder

Good Vocoders can be hard to come and even harder to use. Find out how the TAL Vocoder sets itself apart from the rest of the crowd in this quick review by GW Childs IV.

Creating Ambient Background Loops in Reason

Audio ambience is crucial in both the audio and video world! In this tutorial GW Childs IV, veteran video game sound designer, shows his secrets behind using Reason as an ambient machine!

Reaper Part 4: Rewire

GW Childs IV is back with part 4 in the MPV Hub's Reaper Series. Setting up Rewire mode in Reaper between Reason or Ableton can be a little fiddly. In this tutorial you'll learn how to make it work.

MIDI Quantization: The Best MIDI Editing Feature of them All

Whether you are a new or accomplished musician, learning how to work with MIDI is essential. GW Childs explains the basics of MIDI Quantisation and how to tighten by the timing on your recordings.

How to Create Subliminal Audio Messages

We all dream of being smarter, more charming, more perceptive, etc. It's in our DNA to want to improve and become better than what we already are. Subliminal audio could help you achieve this!

Essential LFO Tricks in Reason

One of the most overlooked tools in Reason has to be the LFOs present in synthesizers like the Subtractor, Malstrom, Thor, etc. GW Childs take a closer look at the available LFOs in Reason.

New Life for MIDI Hardware: Redmatica Autosampler 2

Many musicians have a MIDI Synth lying around gathering dust. Still in love with its analog sounds? Want to sample its sounds into your software sampler? Redmatica's AutoSampler 2 holds the key.

Banish System Draining Plugins and Improve Performance in Pro Tools

Let's face it, some of the most popular instrument plug-ins out there these days are some of the biggest system hogs you'll ever encounter. Let me list a few...

How to Grow Your GarageBand Loop Library in New and Exciting Ways

You may have heard me rant about this before: the fact that there are people who like using loops and people who don't. I'm not going to get into that again, I've done it before...

Reaper, Part 3: Virtual Instruments and FX

In the last Reaper tutorial, we covered hardware MIDI devices, and Monitoring. In this tutorial, we'll be setting up Virtual Instruments and FX. Because we need both of these...

Going Lo-fi in Logic Pro: How to Use Bitcrusher

Clean & pristine sound is the Holy Grail of music production. But Lo-fi productions have that much more character and help your music stand out from the digital crowd.

Making Quick and Interesting Trance Hi-Hats

Trance beats are not that difficult to produce, let's face it. Why? Well, they are 4/4, 16-beat, it's a generic 4 on the floor drum beat with the snare on the 5 and 13, and kick marking every bar.