Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.
Anyone interested in generating random beats or other elements in their music will have experimented with Ableton Live. They may not, however, have realized just how useful the Grain Delay is.
If you want to sample snippets of audio on your Mac, like a YouTube video, don't get caught up in cables and interface ins and outs! G.W. Childs breaks through the tangled wires with Audio Hijack Pro.
Reason 6's new device, Alligator, can transform even the most uniform of pads into a twisted, rhythmic groove. GW Childs sinks his teeth into this one.
The Daft Punk Sons of Flynn soundtrack for Tron was arguably one of the best bits of film music from 2010. G.W. Childs is still rocking to it and shows how to create the arpeggiations in Reason 6.
The new audio procedures in Reason 6 may leave some old school Reason users confused. However, it's well worth the effort to learn how these powerful audio features work. G.W. Childs investigates!
Hardware controllers remain ever popular for digital musicians. But with the limitless number of devices, and therefore, parameters in Reason how can they all be controlled? Enter Remote Overrides...
Creating Combinators in Reason 6 provides a custom mix of your own sounds in one 'box', and allows for all sorts of wizardry and creativity. G.W. Childs brings it all together for Hip-Hop lovers.
Abelton Live is so much more than a live performance tool. It's a serious studio DAW and one of the first ports of call for G.W. Childs when it comes to designing sounds and FX.
Deadmau5-style pitch tricks, beats and sounds is all the rage. Learn how to recreate the organ sound from Deadmau5's dance floor filler, Ghosts n Stuff, in Propellerhead's Reason.
Learn how to recreate the grooving bass sound from the club-land classic hit track, Dirty Vegas' "Days Go By" using in Reason. This hypnotic bass groove will grab you and your listeners.
G.W. Childs puts two of the new marquee features in Cockos' incredible DAW, Reaper 4, under the spotlight: Mouse Modifiers and Pitch Envelopes. Check out how Reaper 4 measures up against your DAW.
Programming your own synth sounds in Logic's ES2 doesn't have to be scary! Using the presets under 'Tutorial Settings' can help speed up the process. It can also be very fun. Read on to learn more.
Keeping your musical ideas fresh is arguably as important as your playing ability. In this article, GW Childs IV, outlines the benefits to learning new chords and resources to help you do so.
What's better, a drum machine or a human drummer? This is a sure fire question to start an intense discussion! Avoid that and learn how to use Regroove for more realistic drum performances in Reason.
It doesn't get much simpler than sampling in Ableton's Simpler. While it is one of the most intuitive samplers out there, Simpler can be used in many innovative ways: for example, as a synthesiser!
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