Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.
Are Reason & Ableton Live a musician's match made in heaven? Quite possibly! In this tutorial, G. W. Childs shows how to rewire both DAWs to get them working in unison together.
One of the things existing Ableton Live users notice about Live 9 are the workflow improvements, which can free you up to concentrate on making music! Here's 4 Live 9 shortcuts from G. W. Childs.
If you wish to route audio and MIDI internally on a Mac, there are a number of useful options. On the iPad/iPhone platform, however, it becomes more tricky... that is until Audiobus arrived!!
Seems that most everything about Ableton has been designed with it being extremely playable in some way. And that's also true of Drum Racks in Live 9. G. W. shares tips on how to optimize them.
A well chosen set list can turn a good performance of songs into a memorable live experience. In this article G. W. Childs shares some tips to help you turn a good gig into a stunning set.
Does Sonic Charge's Echobode Rack Extension for Propellerhead Reason give you all the echo/delay you'll ever need? G. W. Childs puts this plug-in to the test repeatedly.
The new MIDI editing features in Ableton Live 9 allow for some nifty workflow tricks. G. W. Childs shows how you can use the transposition and MIDI stretch markers for slicker MIDI editing goodness.
Are you continually searching for the perfect new drum kit? It's easy to go through kit after kit, isn't it! G. W. Childs shows how to home brew kits using synths in Reason.
"New browser features" may not sound as exciting a "new synth" or "effect". G. W. Childs explains why this new addition to Live 9 is important, and how'll prove popular with Live users.
Visiting the music studio of a friend often results in a plug-in comparison conversation. Not all plug-ins will empty your wallet or bank account though, as G. W. Childs discovers in this article
Arguably the most revolutionary of all recent DAWs just got an upgrade. How does Ableton's Live 9 fare in a real-world review? G. W. Childs puts it through its paces and finds out.
Warning! This tutorial is not for the faint of heart. Still reading? Prepare to release your inner evil using Ableton Live's effects to transform your voice into something from an evil place.
It sounds amazing, it's begging to be tweaked, and it's brighter than an orange dahlia field. What is it? XILS-Lab's new Oxium soft synth of course! G.W. Childs takes this colorful beast for a spin.
Part 2 of this feature guide on how to build your own MIDI Controller using Livid Builder. G. W. Childs explores how aesthetics are as vital as functionality.
Despite the number of MIDI devices available, you may still wish to mod what's available, or create a MIDI controller all by yourself. G. W. Childs finds it to be easier than you might think!
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