Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.
One of the most heralded additions to Ableton Live 9 is the new EQ8. It's been completely redesigned and rethought with certain features you simply must check out.
Designing sounds is like using building blocks. By creating 3 simple patches G. W. Childs shows how, in no time at all, you can use Reason to take you into different sonic dimensions.
Struggling to find inspiring sounds? Get out of your studio and explore your home. You may be surprised just how fun sampling household objects can be for creating your own drum kits in Live.
In the world of technology size is everything! Find out why G. W. Childs is particularly impressed with Livid Instruments' Brain Jr., "the easiest custom MIDI controller, ever!"
What does 'Audiomatic Retro Transformer' suggest to you? Something harkening back to old skool technology? Analog warmth? Lo-fi? G. W. turns back the clock in this look at Reason 7's new device.
One of the many new features in Reason 7 is Parallel Channels. Yup, NY style comping is easy as pie to achieve in Reason now... but it doesn't just stop there as G.W. Childs finds out.
Playing live soon? G. W. Childs pipes in with some timeless advice on how to make sure everything goes smoothly with your sound guy and to help you play an excellent set.
Live 9 includes some helpful extra buttons around the main interface. In this article G. W. Childs IV outlines these new mappable buttons and how they can take your Live experience up a level.
Possibly the most talked about of the new features in Reason 7 is its ability to hook up external MIDI devices. G. W. Childs checks out the connectivity and finds out how well it has been implemented.
Are Reason & Ableton Live a musician's match made in heaven? Quite possibly! In this tutorial, G. W. Childs shows how to rewire both DAWs to get them working in unison together.
One of the things existing Ableton Live users notice about Live 9 are the workflow improvements, which can free you up to concentrate on making music! Here's 4 Live 9 shortcuts from G. W. Childs.
If you wish to route audio and MIDI internally on a Mac, there are a number of useful options. On the iPad/iPhone platform, however, it becomes more tricky... that is until Audiobus arrived!!
Seems that most everything about Ableton has been designed with it being extremely playable in some way. And that's also true of Drum Racks in Live 9. G. W. shares tips on how to optimize them.
A well chosen set list can turn a good performance of songs into a memorable live experience. In this article G. W. Childs shares some tips to help you turn a good gig into a stunning set.
Does Sonic Charge's Echobode Rack Extension for Propellerhead Reason give you all the echo/delay you'll ever need? G. W. Childs puts this plug-in to the test repeatedly.
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