Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.
It's time for some old school synth tips. If you've got a desire to create some house music stabs and you're a Propellerhead Reason user, then this one's for you.
When the original Gobbler was released, it soon became apparent it would be an incredibly useful too for online and remote musical collaboration. So new treats what does Gobbler 2.0 have for us?
Creating a complex and involved industrial style bass arpeggiator sound and pattern in FL Studio just got interesting! G. W. Childs shows how using Poizone 2's and LFO and Trance Gate.
Don't get stuck in one repetitive kick and snare groove. Ableton Live's duplicate feature can be a simple way for beginners and veterans alike to help freshen up their beats. Here's how.
It's easy enough to make your own drum racks in Ableton Live. But getting well mapped, punchy drum racks that fit into any mix is harder. G. W. Childs finds Uppercussion's Conundrum does just that.
Reason is a sound designers paradise if you know it well. G. W. Childs shows how to conjure up a classic 808 style cowbell in Propellerhead's popular music production platform.
Want to give your sounds some extra grit, edge and pure, downright distortion? G.W. Childs shows how Reason's Parsec can be the perfect processing platform for you.
Finally, the sequel to one of the most popular Ableton hardware controllers around. And, we've had a chance to test one out! In this review, I’d like to go over, with you, the new APC40 MKII.
If you're on the look out for new Max for Live plug-ins for enhanced effects and tools, then Isotonik's Modular series is something you should check out. G. W. Childs puts them to the test.
Synth bass your thing? Love Native Instruments' Massive? Then you'll love these 20 cleverly crafted bass patches for Massive. And they're free to download too!
Creating basslines from a pad? Really? Yes, it can be done effectively with a bit of nifty side chaining thrown in to help your Ableton Live basslines stand out from the crowd.
What are the chances of Livid Instruments releasing a new version of the pad controller, BASE, every bit as affordable, playable and life-changing as the original? G. W. Childs finds out.
Technology is empowering musicians like never before. There are fewer barriers between going from studio to stage for a one-man band. But should we be dispensing with real drummers so easily?
BASE II, DS1, Guitar Wing, OHM RGB, CNTRL:R... just a few of the wonderful things to come from Livid Instruments. We sat down with CEO, Jay Smith, to talk controllers and being diagnosed with ALS.
The Blue Microphones Mo-Fi headphones look and feel different to most headphones available. The big question is how they sound and how comfortable they are. G. W. Childs investigates.
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