Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.
Whether you perform live or produce in a studio, it's likely that you've covered a song or track before. That's a good thing! In this article G.W. Childs offers 10 tips to make your covers better.
If you want to recharge your Ableton Live sets and inject them with a house vibe? ModeAudio's House Generator for Ableton racks include beat, bass & lead lines with MIDI & audio. How does it perform?
Based on the M1 workstation keyboard, Korg's latest iM1 app brings the workstation to your iPad. How does this reproduction of a classic synth work out for mobile musicians? G.W. Childs find out.
A Rob Papen plug-in synthesizer for Propellerhead's Reason as a Rack Extension? It's a no-brainer to review. The question is, how good is this powerful synth and how will it fit into productions?
Is it true that you can turn any sample or mistake into something beautiful or suitable in Ableton Live? G.W. Childs thinks so and wants to prove it to you in this tutorial.
You might not reach for the Korg Volca Keys first to make arpeggiated bass lines but, as G.W. Childs demonstrates, it's an excellent choice for the task and is fun and easy to use.
Many of us talk about vintage synths. Sometimes without ever having lived, breathed and made music with them. In this article G.W. Childs shares his experience with his aged, but loved, Roland XP-50.
In this Reason tutorial, G.W. Childs shows how to map samples and instruments in a custom NN-XT patch for a streamlined and efficient laptop performance setup.
G.W. Childs has been playing hardware synths for longer than he'll care to mention. But, on the plus side he's used some incredibly beautiful vintage synths. Here's 12 of his favorites.
Heartbeat is Softube's first foray into creating software instruments, in this case a drum machine modeled on vintage drum machines. G.W. Childs checks out how this one performs, sounds and feels.
While multiple Korg volca's can be easily connected and synced together by themselves, how can you go about connecting, syncing and controlling multiple volca's in Ableton Live? Here's how.
Programming beats & drums need not be a chore. GW Childs shows how to get your beats grooving in no time (in Reason) in this excellent tutorial article.
Music making is full of decisions. And choosing the equipment you employ to make music is no exception. G.W. Childs examines the recent trend towards hardware versus software-based solutions.
Flux:FX is a new ingenious multiFX iPad app that provides real-time audio effects that GW says "can hardly be expressed in words." He manages though in this review.
If you own Ableton Live don't rummage around 3rd-party plug-ins for beautiful sounding pads. Instead, look inside... Inside Ableton, that is! Using Analog, GW Childs shows how big your pads can be.
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