Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.
Do we need more looping playback and effects tools? Shifted radio.com think so, and after playing extensively with their new Max for Live/Ableton Live device, Properloop, G. W. Childs agrees.
How well prepared do you feel for your next gig? Sure, you've practiced, memorised the lyrics, got the stems and hardware all synced... but there's other things to consider as G.W. Childs explains.
Taking what they've done with rhythm, WaveDNA's Liquid Music aims to make building complex melodic parts in your productions easier than you can imagine. G. W. Childs finds out if it delivers.
Don't commit cardinal sin after cardinal sin when it comes to mixing / programming your hardware or software synthesizer. The following 11 tips are what every self-respecting producer should know.
G.W. Childs patiently waited to get hands on with the Korg volca sample. Having already included the volca bass, keys and beats into his setup, find out if the volca sample lived up to expectations.
If you think Korg's volca bass is just, well, a bass... you'd be mistaken. It's a 3-synth-in-one beast and enables you to program three sub-patterns. G.W. Childs shows you how in this tutorial.
With LEDS, Akai Pro's responsive pads and a host of features like "Note Repeat","Full Level" and standalone, computer or iOS device modes, the MPD242 looks attractive. But does it deliver?
Akai Professional's latest Ableton-centered controllers, the MPD218 and MPD226 get a full-on review from our very own controller specialist, G. W. Childs IV.
Small, compact, solid and as far from expensive as you can get. The new Akai Pro MIDImix promises to be a worthy mixer for Ableton Live producers and G. W. Childs investigates how it fares.
Why would you want multiple outputs from a sampler? What good are these in Reason's NN-XT? G.W. Childs shows creative and CPU-saving reasons for using multi-outs in Propellerhead's NN-XT sampler.
If you've got MIDI hardware and are enjoying the "analog" feel, mixing in your DAW might feel like rain on your parade, which is why incorporating a hardware mixer into your setup could set you free.
Imagine mini synth or effect modules you can program and connect to each other and you may be getting closer to understanding how awesome Patchblocks are. G.W. Childs discovers something truly unique.
If you’re looking for something to bring order to all of those control voltage based synths and drum machines, Spektro Audio may have just the thing for you in the form of the CV Toolkit 2.
C-Tools from Heavyocity is a collection of three vintage style synths for Reaktor: a drum synth, hybrid mono & hybrid organ and string synth. G.W. Childs puts great sounding synths to the test.
The original BeatStep from Arturia has been a big hit for those wanting to sequence synths and software. So, how does the BeatStep Pro compare with its multiple CV outs and standalone capability?
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