Jay is a Los Angeles-based composer, songwriter, arranger and orchestrator, conductor, keyboardist, as well as vocalist. As a composer, he is best known for scoring the New World Television series Zorro. Among the films and TV movies he has arranged, orchestrated and/or conducted are Paramount Pictures' Blame It On Rio and NBC's TV mini-series JFK: Reckless Youth. He has written songs that have been recorded by Julio Iglesias, Whitney Houston and Donna Summer, among others. Jay is an Apple Certified Trainer for Logic Pro X and the author of the book Going Pro With Logic Pro 9.
Some of us want our DAW interfaces to look different. You may think Logic Pro X's interface is mostly set in stone, but in fact, using the Logic Theme Switcher, Jay Asher discovers it can be modded!
If you're looking for a high-quality solo string library then Kirk Hunter Studio's Spotlight Strings is going to appeal. After much testing, Jay Asher discovers it is even better than it sounds.
There are not many libraries out there for harmonica. But, before you do a google search, check out this review for the expertly crafted Chris Hein Chromatic Harmonica Kontakt instrument.
Raise your hand if you've ever wanted to customize Logic Pro's click track/metronome behavior? Yes, sometimes you need it to play on certain divisions. And right on time with a solution is Jay Asher.
What is Pre Fader Metering? How would it affect your projects in Logic Pro X? Should you care? Jay Asher answers all this and more in this illuminating article.
There's often more than one way to achieve a production trick in Logic Pro X. That's true when creating crescendos too. Master Logician, Jay Asher, shows you how to add impact to your music in Logic.
Logic Pro X's Project Alternatives can transform the way you approach experimenting with your arrangements and mixes! And Jay Asher demonstrates how, using the built-in Note Pad, can add to the fun!
How do you work with multi-timbral instruments in Logic Pro X? This is a common question and one that master Logic composer and trainer, Jay Asher, seeks to answer in this tutorial article.
Transitioning from one version of your favorite music software to the next is never easy. What's been removed is a common fear for many. Jay Asher turns that trepidation into joy for LP9 users.
For many useful advanced tasks in Logic Pro X we no longer need to delve into the Environment. Track Stacks are a prime example of how to create sophisticated patches in just a few steps.
Sometimes it's the smaller developers who create the biggest and most impressive instruments. Jay Asher examines Pettinhouse's Acoustic Guitar 2 for Kontakt and is left impressed.
Logic Pro's Space Designer is an excellent convolution reverb. However, using IR's can add muddiness to your sound. Jay Asher shares a clever technique to help you achieve better and clearer mixes.
Perhaps one of the less shouted about areas of Logic Pro X is the Score Editor. Jay Asher discovers that changes have been made, and good ones at that! Read about his top 5 in this article.
A frequently overlooked workflow enhancer in Logic Pro 9 is the Alias. These MIDI regions contain no actual data, they refer to another MIDI region or Folder and say “Look over there!"
Logic Pro's Score Editor is both powerful and perhaps under appreciated. Jay Asher looks to remedy the later by revealing how to put the Layout Tool to best use.
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