Hollin Jones

Hollin Jones

Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys. A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications. As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely. Hollin is Contributing Editor at Ask.Audio.

Articles by Hollin Jones

/ 2014 Articles

Best of 2017: iOS Apps For Musicians & Producers

2017 was a great year for making music on iPads and iPhones, with several major new releases. Here are some of our favourite tools for mobile music-making.

How To Prepare Tracks For Mastering Using Master Fader Automation

Creating clean, smooth fades at the start and end of tracks ensures no unwanted noise makes it through to the mastering stage when you're finishing your tracks. Here's how it works.

Here's How To Use Multiple Game Controllers To Create A Cool Musical Performance

You might not have known that game controllers make the perfect triggers and controllers for samples and effects - but they do! Here's how it works, with many live examples.

64-bit Mix Processing In Cubase 9.5 For Superior Sound

The new 64-bit mix processing engine in Cubase 9.5 delivers more sonically accurate results than ever before. Matt Hepworth explains exactly how it works.

Is It Time To Step Up From GarageBand To Logic Pro?

Moving from Apple's free GarageBand to Logic Pro involves learning new tools, tricks and techniques. This video with Booker Edwards explains what you need to know.

Gothic Instruments Release DRONAR Vintage Synth Module

The sixth instalment in the Dronar series brings retro futuristic vibes reminiscent of classic 80's synths. Here's the lowdown.

Perfect Your Mic Technique For Voiceover Recordings

See how to position yourself and your mic to get the best results when recording voiceover. Then, explore how to edit the results for a great voice track.

UVI Releases Nagoya Harp

With over 20,000 samples and 3 mic models plus effects and a strum option, this virtual harp sounds as good as it looks.

Killer Sound Design In Ableton Live Using Resampling

Resampling inside Live - and other DAWs - is a great way to quickly print down effects, edits and other changes to sounds, giving you a wide range of sound design options. Here's how it works.

Designing A Music Studio? Here's What You Need To Know About Acoustics...

If you're lucky enough to be planning your own recording studio or maybe building one for someone else, here's what you need to know about acoustics.

Review: Steinberg WaveLab 9.5

Steinberg's much-loved mastering and wave editing suite gets a facelift as well as some powerful new tools. Hollin Jones puts WaveLab 9.5 to the test.

Review: Fingersonic EXP1 Synth

This portable hardware synth has a computer brain, 15 voice polyphony and MIDI in and out. Hollin Jones found there's more to EXP1 than meets the eye.

How To Edit & Tighten Up Multitrack Drums In Cubase

Working with multichannel drums doesn't have to mean headaches when editing. Here, learn how to align, cut and quantize drum tracks without losing sync.

How Processing Order Affects Your Sound In A DAW

The order in which you add plugins can make a significant difference to the effect they have on your sound. Joe Albano explains why, and how to avoid getting it wrong.

Review: Steinberg Cubase 9.5

The latest update to Cubase brings a raft of changes across the board from instruments to workflow. Hollin Jones spent some time getting to know what's new in Cubase 9.5.