Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys. A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications. As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely. Hollin is Contributing Editor at Ask.Audio.
This portable hardware synth has a computer brain, 15 voice polyphony and MIDI in and out. Hollin Jones found there’s more to EXP1 than meets the eye.
Working with multichannel drums doesn't have to mean headaches when editing. Here, learn how to align, cut and quantize drum tracks without losing sync.
The order in which you add plugins can make a significant difference to the effect they have on your sound. Joe Albano explains why, and how to avoid getting it wrong.
The latest update to Cubase brings a raft of changes across the board from instruments to workflow. Hollin Jones spent some time getting to know what's new in Cubase 9.5.
Are you using your pop filter as effectively as possible? Here's a live action video explaining how to set it up correctly for different kinds of vocal performance.
When you're getting ready to master in Pro Tools, make sure your mix is up to scratch! Alex Solano explains the ins and outs of preparing for the mastering process.
Velocity is a core part of how MIDI operates and gives you control over the feel and volume of notes. Joe Albano shows you exactly how it works in 2 minutes.
Cubase has some clever features for helping you use and manage plug-ins. Here are some you may not have been familiar with to assist you in mastering your plug-in collection.
Mixing and mastering are two vital parts of the production process. But how do you know which kinds of processing to use at which stage? Joe Albano explains the unique requirements of both.
ADR is one of the film and TV industry's most essential tools. Here's how it works in Pro Tools, with some of the key terminology demystified!
These 3 videos will give you quick-start insider tips on Korg's volca Bass, Keys and Sample portable instruments. Dive in to learn how to use these cool boxes!
By understanding this simple but seldom-discussed rhythmic technique you can take simple musical parts and make them more interesting. Jordan Rudess shows you how.
Using Live's sample manipulation tools and algorithms gives you many ways to creatively process and program drums. Here are a few tricks you may not know.
Here's how to use the classic Step Input method on Roland's Boutique TB-03 bass sequencer and synthesizer to make a cool-sounding acid bass sequence.
This popular genre of dance music is easier to make than you might think - but you'll need to know the fundamentals. Olav Basoski reveals all in this short video.
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