Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys. A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications. As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely. Hollin is Contributing Editor at Ask.Audio.
With PolyStep Sequencer you can record in real time, with step input or graphical input. And easily transpose your sequences in real time from MIDI input, always staying in scale.
Shift the timing of any audio part to create a looser or more urgent feel, all without touching a clip on the timeline. Mo Volans explains how.
It's finally appeared - and some of the specs have even leaked. So will it look and sound like a real ARP 2600? Here's what we know so far.
Redesigned workflow and the new Sculptor module are just two of the major updates to this brand new version of Neutron, iZotope's dedicated mixing plug-in. Here's what else is new.
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Get significant discounts on new purchases, upgrades and add-on sound packs for a limited time only from the Ableton web shop.
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Get the classic sound of the 808 along with a whole world of sound tweaking tools and features with this new bass softsynth, which is discounted for a limited time only.
An intelligent mix enhancer, algorithmic reverb and vintage variable compressor are among the latest releases from United Plugins. Here's what you need to know.
Apple has certainly delivered on its promise to totally revamp its biggest and fastest Mac, with a price tag to match its stunning specifications. But what does it mean for producers?
Some estimates put lost royalties into the billions of Dollars - so how is the industry responding to the problem of artists not getting paid because of problems with tagging tracks?
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