What could be better than a mixer that can handle USB audio interfacing and onboard recording too?
House producer Sandy Turnbull has enjoyed a 15 year career culminating in a year suddenly thrust into the spotlight. We caught up with him to talk production, performance and his studio secrets.
Take control of your DAW with the latest Faderport 8 control surface from Presonus. In this video we explore the ins and outs and features for this economically priced mixer with motorised faders.
These hi-def USB2 interfaces are designed with a rugged, all-metal construction and some cool recording capabilities.
ROLI's Lightpad Block will soon be able to control just about any MIDI software or hardware you can think of.
Hands on with the newest members of Akai's legendary MPC family at NAMM 2017.
Hardware synth specialists Elektron are aiming to make their latest creation as affordable as possible. Cenk from Elektron takes us through the reasons you should be excited.
This surprise lawsuit from inMusic relates to as-yet undisclosed products on sale by Roland. And they seem to be for infringements to patents used on Alesis products.
Getting a great vocal sound is easier when you know some production tricks. Double tracking is a good one to have in your toolbox!
Grooves can be used to change the feel of any part, and they're quick and easy to work with. AfroDJMac shows you how in this short video.
How do oscillators work when designing bass sounds? Multiplier demystifies the process with a quick and easy-to-follow video.
Mastering is the crucial last step in the production process. Here are some mastering apps that you should definitely check out.
Korg's Wavestation was a true beast, and now it's back in app form. But have they managed to cage this 90s classic?
Free doesn't have to mean basic, and this quick video shows you how to make a cool synth bass pattern in just a couple of minutes.
Cubase 9 is here and it promises some major workflow enhancements and a brand new sampler. Hollin Jones finds out if it is indeed loaded to the nines'¦