Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys. Formerly a lecturer in videographics and music production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications. As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely. Hollin is Contributing Editor at Ask.Audio.
Gadget 3 is finally here and it brings Korg’s innovative music-making system to the Mac desktop for the first time. Oh, and did we mention it now features audio recording as well?
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Android hasn’t always been the go-to platform for music makers, but things are changing. Here’s a guide to some of the best audio tools available for Android users.
A good pair of cans is essential for almost every music setup. But how can you choose the ones that are right for you?
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Going from the studio to the stage with Ableton Live can be a great experience, provided you get all your gear set up correctly. DJ Kiva is here to show you how it's done.
Moving from Apple's free GarageBand to the much more advanced Logic Pro can be easy if you know the tricks of the trade. Booker Edwards Jr. explains how it works.
Getting hands-on with filters in hardware is always fun, and never more so that on Korg's popular Electribe groovebox. But did you know you can automate them too?
There are many kinds of deal available when you are commissioned to write music. Paul Bissell explains what you need to know to ensure you get the best one for you.
An element of unpredictability can be programmed into your synths to add character, warmth and depth to any bass patch. Multiplier shows you how.
Bitwig Studio is one of the new kids on the block in DAW terms but really impressed us when it first appeared. So when we got our hands on the brand new version 2, would it still blow us away?
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After years of producing music under various guises, Jon Charnis found his true calling in the slower, darker, and deeper shades of house music. We asked him about all things musical.
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