Sound Like Skrillex in Ableton Live, Part 1

Turn on the internet or radio (do people still use these?) and you'll likely, at some point, hear some Skrillex-inspired tunes. Gary Hiebner shows how to recreate his musical style in Ableton Live.  

If you haven't heard of Skrillex yet, then you must have been hiding in a cave for the last few months. This young Computer Musician/Producer has been causing some big waves in the EDM community, and the world. At a mere 24 years of age, he has already scooped up 3 Grammy awards. This is quite an achievement for a computer musician and the computer music world. We are finally getting realized. Skrillex may fall under the now well-recognized dubstep genre, but his sound is very unique.

With a very limited setup of a MacBook Pro, Ableton Live, some 3rd party plugins, and a M-Audio Trigger Finger MIDI controller, Skrillex pushes out some highly-refined productions. I am going to attempt to create a track similar to Skrillex's genre-bending tracks. I am going to use Ableton as my DAW and its native plugins to show how to achieve a sound similar to Skrillex. So let's dig into it….

Step 1 – The Beat

Skrillex's tracks morphs between the Electro-House and Dubstep genres, which have tempos varying between 128BPM – 140 BPM. I am going to create a more dubstep Skrillex tune, so I am going to be working at 140BPM. Here is a taster of what our final loop will sound like:

In this article I am going to show you how to build up the initial beat, and intro section, then into the typical growling layers of Skrillex-style lead synths. In following parts I will show you how we can expand on these sections by creating interest with different elements and create the oh so famous Skrillex drop. So let's get started with the beat.

I have built up a simple kick and snare pattern, and included is a hats pattern (which is made up of a few different hat samples layered together).

drum loop

Here is what the beat sounds like:

Take a look at Nigel Broad's Dubstep tutorial if you wish to get deeper into programming dubstep beats.

Step 2 – Organ Intros

Skrillex seems to use quite a bit of organ sounds in his tracks. I am going to use an organ sample from the Ableton Live 7 Legacy pack (you can download the pack from Its location is Instruments > Instrument Rack > Live Legacy 7 > Keys > B5.

Organ Sound

I have programmed in a simple organ chord pattern that plays on the upbeat, which will give the beat a bit of a swing feel.

On the Organ instrument I have added an EQ low cut at 150Hz with EQ Eight, and a little dip as well at 350Hz. I have also added some slight compression.

organ settings

After this I have added some Chorus to widen the sound, some White Noise with the Erosion plugin to degrade the sound slightly, and Saturator to also add some more grit to the organ sound.

wider Organ sound

Together this give us a nice sweet Intro section before the craziness.

Step 3 – Big Skrillex Synths

What is definitely apparent in Skrillex's productions is the heavy processing on his synth sounds. One can tell much time and effort is put into his production techniques when it comes to his synth sounds. He applies heavy processing with such effects such as distortions, delays and filters.

For my first synth I have pulled a Simpler preset from the Live 7 Legacy pack again. I have used the Hybrid preset from the Simpler > Live 7 Legacy > Harmonic section. This is quite a nice buzzy sound. 

Hybrid Synth preset

To this I have added the Overdrive, Redux, Saturator and Simple Delay plugins. These plugins have carved out the sound, and have added more character to the Hybrid preset. With the Simple Delay I have changed the delay settings from Sync to Time, and have decreased them to 22ms. This adds some width and depth to the synth.

Adding some width to the synth

The pattern is quite simple. I have added two long notes, with a few staccato notes that follow, which creates that machine gun-type sound effect which is heard quite often in Skrillex's productions. At the moment these staccato notes don't sound too polished, but we'll get there with the following layered synth sounds.

Hybrid synth pattern

Step 4 – Staccato Noises

To get those machine gun staccato notes sounding more abrasive let's layer up some more harsh-sounding synths. Create 2 new MIDI tracks. Copy the MIDI clip from the previous synth to these new MIDI tracks. Go into those clips, and remove the long MIDI notes, so that you are only left with the short staccato notes.

Noise pattern

For the first MIDI track I have pulled in the Organic Simpler preset in, and have tweaked it slightly.

Noise synth

Next I have created an Audio Rack Effect and have called the chain Noise 01. To this rack I have inserted a Redux, Overdrive, Erosion, and Simple Delay like the previous synth. Here are the settings I have applied:

Noise synth

I have also added a Flanger with the above settings to create some movement in the stereo field with this synth when it hits those staccato notes. The LFO in the flanger creates this effect. Try fiddling with the LFO settings to see what different results you can get.

Let's create the second synth that will complement this one. Move onto the next MIDI track. For this track I want a guitar-sounding synth. I have called up the Guitar-Burn 2 B Wilde preset (Its location is Instruments > Instrument Rack > Guitars and Plucked > Electric Guitars). Next I have added a Compressor, Saturator and Simple Delay again. Here are the settings I have applied:

Electric Guitars

With these effects I have degraded the sound quite drastically but with the rest of the mix it blends in quite well. Take a listen to the sound here:

I have panned these two synths slightly apart to create some depth to the staccato sounds. Here are the pan settings I have applied:

Noise mix pan

Step 5 – Talking Bass Lines

What is also synonymous with Skrillex's sound are the talking-style basses that he adds to his tracks. These can be achieved quite nicely in Ableton using the chain selector and the Map Mode.

Like I did with the previous synths where I removed the long notes and left the short staccato notes, with this synth I am going to do the opposite. I want the talking bass to 'talk-out' the long notes, while the short notes burst out with loudness and impact.

So on a new MIDI track I have copied the first synth MIDI clip to it, and then removed the unwanted notes.

Talking synth pattern

First I have added an Analog Saw synth to a Simpler instrument from the Live 7 Legacy pack (Instruments > Simpler > Live 7 Legacy > Harmonic). Group this synth so that it now resides in an Instrument Rack (Choose the synth and then press Command-G). Next I have added an Audio Rack. I have called it VOWELS. Inside this rack I have made 5 Chains and have given them the Vowel names (A, E, I, O, U). I have pulled onto each of these chains the corresponding vowel EQ (which can be found under the EQ Eight presets under the Formant subfolder).

Now let's create a chain selector for this Audio Rack. Click the Chain button to show the chain. Then move the chain blue buttons to the corresponding sections, like I have done below:

Map Vowel Parameters

You can expand these blue sections by dragging on each side. Also if you hold near the top section you can drag in crossfade sections on these parameters.

Now use Map Mode to link the chain selector to the button. Then go to the Instrument Rack and use the Map Mode to map the chain selector button from the last mapping to the Audio Rack Macro button. I can now automate this button to move between the different vowel EQ chains.

Map Mode

I have kept the Min value to 0, but have decreased the Max value to 48, so that the Macro button only moves between the sections on the chain selector that I have assigned. I just need to do one more Macro mapping. Move to the Instrument Rack now, choose Map Mode there, and then assign the previous Macro button to a Macro button on the Instrument Rack. Rename it VOWELS. 

I am going to create this automation in the MIDI clips Event editor window. Double click the MIDI region to bring up the MIDI, and then click on the E to show you the event editor. Make sure under Envelopes VOWEL SYNTH I VOWELS is chosen (which is the Vowel chain selector I have mapped). Then draw in some automation that will switch between the different formant vowel EQ's.

Automate events

I have also added the following effects to the synth:

Vowel Effect Rack

Here is what my Talking Bass sounds like: 

Step 6 – Final Mix and Arrangement Ideas

I have created a simple arrangement that has an Intro section with the Drum loop and Organ section. Then it goes straight into the next section with all the synths together with the beat. I have mixed the elements together to get a rounder sound for the Skrillex-style track.

Final mix


And here again is what the finished track sounds like:


So this is a little taster on how to get close to Skrillex's sounds. In the next article we'll look closer into how to create a busy and crazy, yet musical 'Skrillex-like' track by make use of Ableton's editing and resampling techniques.

Gary Hiebner is an enthusiastic South African Sound Designer and Apple Tech Head! Gary has been involved in the South African music industry for the decade, and in this time has also been involved in the sound design and music production for many advertising agencies and media houses. Gary is a devoted Logic and Ableton user, but he al... Read More


Yet again, Logic Pro gets no love. I don't get it. Is someone or something trying to tell me to change DAWs? It might be time for Ableton.
Gary Hiebner
Ableton and Logic are both great DAW's. I use them both still and find I can achieve different results with the different DAW's.

There are still Logic Pro tutorials coming out:

And there's more Logic Hub articles on the way...

So don't worry, there's still Logic Love!

If its a Skrillex for Logic article that you want, send out some comments requests here, and I can work on one.
First I want to thank you for responding, I've been using Logic for a year now and learned so much from you guys. I can't seem to get enough electronic music info. This skrillex thing would have been perfect for my collection. I've had my eye on Ableton for awhile now but don't want to buy it with Logic X on the horizon. Is Ableton more suited for electronic
than Logic? A How to make electronic music in Logic tutorial would be cool since that doesn't exist.

Gary Hiebner
Both DAW's are well suited for Electronic Music Production. They just have different features and ways about doing things.

There are some Logic Electronic Music tutorials. Check out the following:

Olaf's tutorials are great. He explains tips and tricks very clearly.

Nigel's Dubstep tutorials is also very good. He takes you through the steps on creating and arranging a typical Dubstep tracks. And through the tutorials gives some other handy Logic tips as well.
I have them both:) And yes they have been very helpful.
But I still think that they could be more in depth.

Thanks again
Hi CO4L,

Thanks of the feedback. We've got the largest Logic tutorial-video catalogue anywhere... but we're always looking to expand our offering!! Let us know what titles you'd like to watch in the "Suggested Training" forum here at

btw, you might also be interested in this funky home page for Logic Pro articles here on The Hub:

Rest assured we've plenty of Logic tips and tricks articles in the works for The Hub... and, in case you haven't already, you might enjoy the new Remix Essentials iBook based in Logic Pro (available on Apple's iBookstore).

Executive Editor, MPVHub
CO4L -

I switched from Logic to Ableton about 8 months ago. One of the best decisions of my life.

Logic is just full of bizarre idiosyncrasies. It's always felt very messy to me and filled with submenu upon submenu of - sometimes useful - but mostly useless crap that just gets in the way, stifling creativity. Ableton is the complete opposite - it's streamlined and helps you make music quickly.

Every time I open up Logic I feel like I'm going to work at a dead-end, soul-sucking corporate job, whereas Ableton is like relaxing at the beach with a margarita in your hand. One is stressful music making; the other, fun.

But regardless, Mac Pro Video has taught me both DAWs very well! More Ableton videos please!

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