Hace varios años, parecía que los mezcladores compactos estaban de moda. Cada gran fabricante de audio profesional (y la mitad de los pequeños) comenzaron produciendo diferentes modelos con diferentes características. Así, mientras que no hubo una falta de selección, mi pregunta fue: ¿Hay alguien realmente está haciendo lo correcto?
Yamaha eran un poco tarde al juego, pero tal vez eso les dio tiempo para hacer las cosas bien. Cuando se introdujeron los mezcladores MG series originales, fueron un éxito inmediato. Muchos consumidores necesitan para reemplazar theirhow debo sayless que los mezcladores confiables de un diseño algo desechable con algo que sonaba mejor y fue construido para durar, y la serie MG, sin duda en forma la factura.
Ahora en su tercera generación, los nuevos mezcladores MG-series ofrecen nuevas características y aún más utilidad. A primera vista, parece que hay diez modelos diferentes, pero es más fácil pensar en la serie como cinco modelos diferentes, cada uno con un doble. La designación XU al final del número de modelo indica efectos digitales integradas y conectividad USB. (El MG06X, la más pequeña del grupo, tiene efectos, pero no tiene puerto USB.) Por ejemplo, la enfermedad esté revisando el MG10XU , que tiene 10-entradas, efectos y USB, mientras que la MG10 es el modelo analógico estándar sin efectos o USB.
La mesa de mezclas Yamaha MG10XU, vista desde arriba.
Qué hay de nuevo?
Para mí, la mayor mejora es la incorporación de la D-PRE Clase-A preamplificador de micrófono. Este es el mismo preamplificador interminables encontrar en los ur-e interfaces de audio de la serie MR-Steinberg (Steinberg es propiedad de Yamaha), y se ha ganado una reputación de ser un preamplificador de sonido muy musical con bajo nivel de ruido y un montón de ganancia. Si eso fuera todo Yamaha añade a la MG, sería suficiente para mí.
Otra de las novedades es la conectividad bidireccional USB (en modelos XU), que proporcionan la grabación de 2 canales y la capacidad de reproducción de las computadoras o el iPhone de Apple y el iPad. (Apple Kit de conexión de cámara requerido.) Hay varios grandes aplicaciones de grabación de bajo costo para el iPad, y usted debe comprobar fuera de Yamaha $ 1.99 Nube grabadora para grabar, editar y subir directamente a SoundCloud. Youll también encontramos un código en el cuadro con el que para descargar una copia gratuita de Steinberg Cubase AI para Mac y PC. La interfaz USB ofrece grabación de 24 bits con un máximo de una notable frecuencia de muestreo de 192 kHz.
Características Generales
La serie MG viene en 6 -, 10 -, 12 -, 16 -, y 20-de entrada configuraciones. Los modelos más grandes tienen faders de canal y fuentes de alimentación universales, mientras que los modelos más pequeños tienen perillas y los adaptadores de CA. Los 16 - modelos y 20-de entrada vienen con orejas de rack, que son opcionales en el modelo de 12 entradas. También El MG10XU tiene 4-XLR/TRS/TS entradas mono con alimentación phantom, pad 26 dB y 80 interruptores de filtro Hz, EQ de 3 bandas con 100 Hz, 2.5 kHz, y 10 kHz frecuencias fijas, y las entradas 1 y 2 tienen muy compresión simple y eficaz de un solo botón.
Los otros seis entradas están configuradas como tres pares estéreo, tres entradas mono, o en combinaciones de los mismos. Desequilibradas cuarto conectores Theyre todo-10dB y entradas 5/6 y 7/8 también tienen conectores RCA. Entradas 9/10 pueden aceptar la señal de los conectores de 1/4, o la entrada USB para el seguimiento a través de un botón en el panel frontal. También se proporciona shelving a 100 Hz y 10 kHz.
Todas las entradas tienen un FX Send al procesador integrado de efectos digitales SPX. El MG10XU tiene 24 efectos diferentes, incluyendo reverb, delay, modulación y otros efectos especiales, y se encamina hacia el canal interno de retorno FX. Cada efecto se puede programar un poco con el mando de parámetro, y recuerda que hacer clic (presione hacia abajo) la perilla de Programa la hora de elegir un efecto diferente. Los efectos se pueden activar / desactivar, ya sea con un botón situado sobre el control de retorno, o por un interruptor de pedal opcional. Theres también un conector de envío FX hardware que no pasa por la efectos incorporados, pero youd necesidad de utilizar los canales de entrada para devolver un procesador de efectos externo a la ruta de señal.
Hay tres secciones de salida: Stereo Out, salida de monitor y teléfono. El Stereo Out tiene un control de volumen independiente con XLR o conectores dB cuarto equilibradas 4, mientras que la salida de monitor tiene sólo un cuarto equilibradas conectores 4 dB, y el botón de Monitor también controla el nivel de la salida individuales Phones.
Cómo suena
Para una comparación justa, he usado un separador de micrófono para grabar diferentes instrumentos tanto en la MG10XU y un Behringer Xenyx 1202FX, que luego me conecté a un ordenador a través de 1/4 salidas balanceadas y grabé los resultados. La Yamaha simplemente sonaba mejor. No es que el Behringer sonaba mal, es sólo que la Yamaha sonaba más rica, más limpio, y produjo más matices. Im seguro de que eso es debido en parte a los previos de micro-D PRE, pero también sospecho que el Yamaha tiene una ruta de señal más robusto. Por supuesto, el Behringerwhile no tener tantos featuresis mucho más barato que la Yamaha, pero youd esperar para obtener mejores resultados a partir de una inversión más grande. Los efectos Yamaha SPX también suenan muy bien y se benefician de décadas de investigación y desarrollo DSP.
Quien su para
Una característica única de los 6 - y 10-de entrada mesas MG es el BMS-10A adaptador de soporte de micrófono opcional, lo que hace que estos pequeños mezcladores perfecto para presentaciones en vivo o pequeños conjuntos manteniendo el acceso mezclador a su alcance.
El MG10XU en un pie de micro con el opcional BMS-10A.
Mientras que usted no tiene un bus AUX dedicado para la vigilancia, la mayoría de la gente va a hacer muy bien mediante el uso de la salida de monitor para monitores de oído o de repliegue. Los efectos incorporados son grandes para los artistas en vivo, y las salidas XLR o 1/4 permiten la conectividad a cualquier consola de sonido en casa o sistema de sonido. Los compresores en las entradas 1 y 2 hacen un gran trabajo de añadir rápidamente un poco de control dinámico para micrófonos o instrumentos. Con opciones de conectores XLR / 1/4 y RCA, usted tendrá un montón de opciones de entrada. Ser capaz de pasar por alto los efectos de un interruptor de pie opcional es característica realmente agradable, también.
El puerto USB hace que el MG10XU ideal para la grabación pequeño estudio del proyecto. Y si no poseen un programa DAW, sólo tiene que descargar Cubase AI de forma gratuita. 2-in y 2 de salida es suficiente para la mayoría de los cantantes / compositores, así como el seguimiento del USB flexible, es ideal para la emisión en directo por Internet. Usted puede incluso atenuar el nivel de reproducción del ordenador haciendo clic en el mando Program cinco veces, luego lo enciende establecer el nivel deseado. Y la conexión de la MG10XU a un iPhone o iPad le dará aún más remota la capacidad de grabación.
Para la gente que sólo necesitan una pequeña mesa de mezclas sin todas las campanas y silbatos, y aún así exigen sonido de alta calidad y la utilidad, la norma MG10 sería un gran lugar para comenzar. Youll también ahorrar alrededor de $ 50.00 por los efectos y USB renunciar.
Conclusiones
Hay algunas cosas que no me gusta sobre el MG10XU. Por ejemplo, mientras que el chasis es de metal, los lados son de plástico. Esto reduce el peso y el costo, pero puede ser un impedimento para una mayor durabilidad. También esperaba un cable USB en la caja, pero no es incluido. (Como no tengo cables USB adicionales.) También deseo las entradas 1/4 en los canales 5-10 tenían conectores TRS y conmutables -10/4 niveles, pero eso esperaba mucho de cualquier pequeña mesa de mezclas. El adaptador de CA es un gran trozo de línea, pero los buenos mezcladores suenan requiere más voltaje que sus homólogos de menor, por lo que youre negociación tamaño compacto para un mejor sonido.
Incluso con esos pocos inconvenientes pequeños, la MG10XU es un, gran mezclador de sonido extremadamente versátil. Si usted es un intérprete en vivo, un entusiasta de la grabación, simplemente en la necesidad de más entradas, o todo lo anterior, la MG10XU ofrece una gran cantidad de valor. Y si necesitas más / menos insumos, o más / menos características, la amplitud de los mezcladores MG serie significa el youll probablemente encontrará exactamente lo que usted está buscando en el precio que se ajusta a la ley.
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Discussion
I'm looking to upgrade from the MG06X to the MG10XU, mainly for the USB connectivity. The mixer I currently have is perfectly fine for most intents and purposes (I use it to hook up my studio monitors, listen to my computer audio and turntable. Problem I ran into is that even though the in-out port on my laptop SAYS it is in-out, that's only the case with a headset.
Anyway, to the real question: I read a review where someone complained that it's not possible to record individual outs, and that you only get a stereo mix. Do you happen to know if this is the case? I'm looking for something to hold me out for the next 5 or so years. Is the ability to split audio REALLY that big of a deal outside of a true studio setting?
To record individual channels on discrete tracks, you may want to keep the mixer you have, but enhance the recording/playback capability with a dedicated multi-channel audio interface. You could also replace your current mixer with a model that can record multiple individual input channels to USB, though such a mixer would cost more money.
~MattLTH
The effects that folks put on their vocals is wide and varied. For some, a splash of plate reverb is all they need. For others with a more avant-garde esthetic, distortion, gated reverbs, and phasers are common choices. So it really depends on what you’d like to hear on your voice. I’d recommend trying a reverb, then use the parameter control to shorten or lengthen the reverb time to your liking.
As far as using it with a computer, it’s important that the red button above the Input 9/10 level control is in the ‘up’ position. That will allow you to monitor the previously recorded tracks, while only sending the signals from Inputs 1-8 to the computers recording inputs (via USB.)
I hope that helps,
MattLTH
Stu
MattLTH
Sean
MattLTH
Cheers
MattLTH
MattLTH
I'm pretty new to the audio engineering game and learning as I go. I've been looking hard at mixers and recently ordered this one to be delivered soon. As I'm continuing to learn the details of how I'll be using various pieces of equipment, I am wondering whether this mixer will allow me to set up mix -4 Skype calls for my podcast. I am hoping to do interviews long distance, using Skype and my set up. From your review and further research, I am unsure as to whether this mixer has the auxiliary outputs I need to send back all audio minus the Skype callers voice to the caller.
Can you lend me your insight as to whether I'll be able to operate mix minus Skype calls with this mixer?
Thanks in advance for your time.
James.
I've never used the MG-series mixer in the configuration you've described. However, it might be possible to accomplish your task with the MG. While this particular mixer doesn't have an AUX send, it does have an effects (FX) send with a physical mono 1/4" output jack. Bear in mind that while AUX sends are pre-fader (unaffected by the position of the Level control), the FX sends are post-fader. Therefore, you'd need to leave the Level control turned up for that channel to send signal to the FX Send output.
If I've missed the point, let me know and I'll try to provide further information.
MattLTH
Unfortunately, the MG10XU isn't fully able to provide the function you need. The problem is that the FX control and FX Send output jack are post-fader, which means that the corresponding channel would have to be turned up for the corresponding FX knob to send signal out.
However, Channel 9/10 can be assigned to either the monitor output or the stereo output. Depending on how many instruments you needed channels for, you could plug one mono (or one stereo) instrument into that channel and assign it to only the monitor output. You could also add a small mixer into which you plug the instruments, then plug the output of that mixer into Channel 9/10 and have it assigned to the monitor output.
If you wanted a more highly configurable monitor mix, what you would need is a mixer with pre-fader AUX sends. The least expensive MG-series mixer with one pre-fader AUX send is the MG12 (MG12XU), and the MG16 (MG16XU) has 2 pre-fader AUX Sends, which would allow you to configure two discrete headphone mixes.
MattLTH
I'm sorry to hear you have a problem with your mixer. I looked at the power supply that came with my MG10XU and it is 110 Volts for distribution in the United States of America. Sometimes (but not every time) Yamaha includes a power supply that will operate under either 110 or 220 volts / 50 or 60 Hz, but that is apparently not the case with this product. It's possible that using an AC adapter with the wrong voltage and frequency could damage the mixer, but it's also possible that the power supply was damaged and that the mixer was spared from damage. If you can find a proper power supply, I'd try that first. Otherwise, go to www.yamaha.com, choose the country in which you live, then look at their support options. (I'd send you the direct link, but I don't know where you live.)
I hope that helps,
MattLTH
After reading so many review I purchased the Yamaha mg10xu audio mixer.
But too much of disappointment
I am not able to record the output of mix on my computer.
I can listen to computer playback which is coming out of mixer but not able to record anything. Same proble is being faced by many
First, make sure you've installed the most current USB driver for that mixer. Here's the download link:
https://www.steinberg.net/en/support/downloads_hardware/yamaha_steinberg_usb_driver.html
Next, verify that you're using a compatible operating system. The most current driver supports Windows 7 through 10 in either 32-bit or 64-bit, while the Mac driver supports 10.9 through 10.12. Legacy versions of the driver can be found lower on the page for XP, Vista, or as low as Mac 10.5.
Next, make sure the mixer is plugged directly into a USB2.0 or 3.0 port on the computer. In other words, do not use a USB hub; make a direct connection to the computer USB port.
Lastly, depending on what software program you're using to record with, make sure you assign the software inputs to the Yamaha USB driver. There will be one for stereo, which (again, depending on the software) can usually be split into two mono inputs (left/right.)
I hope that helps. I assure you, recording with your mixer is absolutely possible.
MattLTH
I have successfully configured the MIDI connections via the above and Finale 2006, but for some reason I am now unable to record any online audio via Adobe Audition. I am using the Yamaha Steinberg USB ASIO and DRIVER. Can anyone help out there?
If that's not what you're attempting, please provide a little more info about the task you wish to accomplish and I'll do my best to help you.
MattLTH
Yes, I am trying to record audio from YouTube and BBC iPlayer TV and radio programmes. Up to the time I managed to configure my MIDI feed via the MG10XU and my MOTU Fast Lane interface there was no problem. In the process configuring for MIDI via "Finale2006", I wonder whether I have somehow by-passed the audio feed to Audition 3?
Unfortunately, I'm a muso and not an audio technician so you will have to forgive my ignorance. I'm happy to try any other audio program for recording, so will take a look at SoundFlower. In the meantime, thanks to you both for your responses.
Cheers,
JDRWales
When recording with this mixer and my focusrite i track solo unit to my I pad using vocalive i still keep getting crackling during recording and then playback too. Although when I bounce the track down and email it the crackle disappears. Any ideas. It's not a constant crackle it comes and goes. I am using an old I pad 2. Could it be that possibly.
MattLTH
Have a nice day to You...
I have my MG10XU that is connected to my Windows 8.1 with Realtek Sound card which I properly set it up in a good level of recording....My Mic is connected to Mic/Line 1 and a headphone properly connected.My problem is If I do recording in Audacity or even Cubase the level of record is way too low and almost couldnt hear when i playback....Would You mind to teach me a step by step procedure to record using this MG10XU.
I'll try to help. Let me see if I understand your setup properly. You have a microphone plugged into Mic/Line input 1, then the output of the MG10XU (probably the Stereo Out) is plugged into the Realtek Sound Card? If that's the case, you'll need to make sure the proper gain and level are set on the mixer, and that the Stereo Out knob is turned up enough to send a proper signal level into the sound card. Since I don't know anything about the Realtek sound card, I'm not sure what sort of settings might be configured improperly thereon to result in low recording levels.
Because the MG10XU is capable of working as a sound card, I'd try installing the Yamaha drivers and plugging the mixer directly into the computer via USB. Then configure Audacity (or any other audio program) to use the ASIO driver for the mixer for sound recording and playback. That should insure you get optimal recording levels, and also a better signal-to-noise ratio because you eliminated one extra stop (the Realtek) along the noise highway.
Let me know if any of that helps,
MattLTH
Thanks,
Marcel
MattLTH
The mic si placed very clase tô the guitar, and ir i turn up the Gaia os the Chanel i get distortion....
Take a look at this photo:
https://i.ytimg.com/vi/-gHK4Vg7X4M/maxresdefault.jpg
See how the side of the microphone is pointed at the guitar? That's the right way to position the microphone.
To be clear, look at this photo of an AT2020 mic:
http://www.audio-technica.com/cms/resource_library/product_images/5cbd5de17b7c365f/med/at2020_1_sq.jpg
THAT is the front side of the microphone that you should point towards the guitar (or any sound source.)
I hope that's helpful,
Matt
I just bought this mixer couple of weeks ago and this is the first mixer I have ever used/owned. I have a quick question. The first 4 channels can be used for microphones but what about the rest ? The rest 6 channels are stereo channels with left and right. Now, if i connect my guitar with a 1/4 inch TS cable to channel 9 and press the red button near the channel 9/10 volume knob, I can get stereo sound through my speakers but what about channel 5-8 and 10 ? Can I get stereo sound from them by plugging in mono inputs ? Is there any way I can get 5 microphone connect to this mixer and a stereo output for my guitar. all of them together ?
Thanks in advance for the support and help.
Best,
Ish
You can plug any mono device into inputs 5, 7, and 9 to get sound from both the left and right output channels. However, you must be sure to not plug anything into inputs 6, 8, and 10 because that will split the corresponding channel inputs to stereo with odd-numbered channels sent to the left output only and even-numbered channels to the right output only. Another way to look at it is as a mixer with seven mono inputs, or four mono inputs and three mono or stereo inputs. Those last three inputs can be either mono or stereo depending upon how many connects to plug into the inputs.
I hope that's helpful,
Matt
1 - mics > fast track pro> computer software
2 – mics >mg 10 xu > computer software
3 - mics > mg 10 xu > fast track pro > computer software
Should I keep the M-Audio Fast Track Pro (2x2) in my set or it is now disposable?
Thank you!
Regards.
Douglas
I think you'll find your #2 scenario to be the best sounding and easiest to set up. I think the Yamaha mic preamps sound better than those found in the Fast Track Pro, too, but that's subjective.
I'd stay away from scenario #3 because you're cluttering the signal flow, and the more devices you have plugged together, the more noise, signal loss, and gain stage adjusting you'll have to make.
Try #2 and see if it provides the sound and setup you need. If it does, you can sell the Fast Track.
I hope that's helpful,
Matt
Your post is very helpful and really appreciate all the info here. I am just trying to figure out whether I should buy Yamaha MG10XU or Yamaha 12XU.
I need the mixer primarily for stage events like:
1) Feed music to mixer from laptop and then from mixer to QSC K-12 speakers for stage dance performances and keep two mic channels for Emcee as well.
2) Live singing with Karaoke music and my be couple of channels left for Guitar or Violin.
3) Play DJ music from Laptop -> Mixer -> Speakers for a crowd of 300 - 500 people.
For past stage events, I have rented several mixers like Mackie, Yamaha, Allen & Heath, etc. However, I have noticed that the audio recorded using Yamaha has always been richer & crisper. Not sure if it was because the last Yamaha mixer I rented (don't remember the model number) I used RCA Out from Mixer to AUX input to video camera; and the mixer where the audio didn't sound right (Mackie) I used Phone Out from Mixer to AUX inout to video camera.
Thanks.
It depends largely on how many inputs you need, specifically the number of XLR inputs. If you need four or less, the MG10XU will work great. But if you need up to six, the MG12XU might be a better choice.
I think Yamaha makes the best-sounding small mixer on the market. However, I'd recommend staying away from recording out of any headphone output unless there are no other options. That's because the headphone out uses a small amplifier to power the headphones. That amp adds noise to any line level signal, and that will compromise the recording quality.
MattLTH
thx
Juan
MattLTH
MattLTH
I am thinking about using the balanced outputs from the Roland into 2 of the channels on the MG10xu to get signal from my acoustic, and then run the mic directly into the mixer.
Would I do better to just get a acoustic guitar preamp only? I like the acoustic chorus effect on the Roland, and will be using reverb on the mixer for vocals.
Thoughts?
MattLTH
I have a MG10XU as well as a UR22. Which provides a better sound quality? I'm doing simple recording (singing using a condenser mic) with a wav soundtrack using Cubase AI. The MG10XU was bought because of the FX effects like reverb, etc.
MattLTH
I hope all is well. I'm thinking about purchasing this for karaoke purposes. What is the best was (quality wise) to connect this from my laptop? 3.5 jacks or via the usb cable to mixer? OR will a USB audio adapter be of better quality?
Thanks
MattLTH
I was wondering how I could connect my external effect to the unit. I appreciate your responses to my questions below:
Q1) In the article we read the input channels to return an external effect processor to the signal path. Can you show me one concrete example of such setup?
Q2) Does this support stereo FX or Mono FX?
Q3) What kind of cable do I need to use for the FX send connect? S/PDIF, regular Balanced 1/4 or Unbalanced 1/4?
CSC
Could you please help ?
I am trying to get effects to my monitors or to any of the 1,2,3 auxes on my yamaha mg20xu
So far I cannot unless I route the signal from lets say aux 1 to a channel and then get the effects via aux 2.
However this includes all instruments in the mix which is not desirable.
I would greatly appreciate your comment at your convenience
Thanks
Dennis
i have a yamaha mg 10xu and i try to work with virtual dj , but the sound level is very low
i set line1 to the yamaha mixer
I recently hooked up my Yamaha MG10XU and got it to work on Virtual DJ with the usb connection via the mic settings but the main and mic outputs on the program are barely showing up on the programs' vu meters.
I have the computer and VDJ mic volumes for the mixer all the way up, tried several different audio settings from the output, card and input tabs, and have the latest hardware driver installed on the computer, but I still get the low output. I also checked on the VDJ site for anything on Yamaha controller drivers to download, but there isn't any. Is there a way, without having to raise up the db gain on the mixer that would add a ton a hiss, to get the audio up better on the usb side of it?
Can anyone help me on this please?
(1) An Apple Macbook Pro, when the ARM update comes out. I am willing to wait for it.
(2) Rode NT1-A Anniversary Vocal Cardioid Condenser Microphone Package
(3) AKG PERCEPTION 170 Professional Instrumental , 7.40 x 3.50 x 11.30 inches, Sliver Blue - 3101H00410
(a) I am purchasing two of these mics for an acoustic guitar.
(4) Professional Studio Recording Microphone Isolation Shield, Pop Filter ,High density absorbent foam is used to filter vocal. Suitable for Blue Yeti and other condenser microphones (AO-504 With Stand)
(b) I would like to ask whether this shield is compatible with the vocal mic listed on (2)
(5) An electronic drum set (I forgot the name) that has a MIDI output and an R, L/MONO output
(6) For the DAW, I will choose Logic Pro, the latest version, when I purchase the MacBook.
(7) This Yamaha MG10XU 10-Input Stereo Mixer With Effects
(c) Is this compatible with the items listed above? If so, can you please list the types of cables (including the quantity and average length, please) that I need to connect the following items to this USB audio interface? Also, which cable do I need to connect this product to an Apple MacBook?
(8) What is an affordable pair of studio monitors that will pair nicely with this stereo mixer, under $500 in total?
I am mostly confused on what cables and adapters I will need to connect all those mics and mono outputs to the stereo mixer, and what cable I need to connect the stereo mixer to a MacBook pro.
Second, I would like for you to clarify these statements:
(1): Since I am recording with up to two mics at a time (guitar and piano), the stereo mixer will save both recordings from the mics as one track in Logic Pro.
(2): This stereo mixer will save each track to Logic Pro individually since I am only recording one instrument at a time.
Once again, the MAIN thing I am confused about is the wires. Please, please, please help me with choosing the wires that will connect the above instruments and mics to this stereo mixer. I don't know if this is too much to ask, but can you list the links leading to the following products?:
(1) ALL the wires I need, please
(2) Compatible studio monitors
(a) Please list the wires needed to connect this to the stereo mixer
(3) A Recording Microphone Isolation Shield, if the shield I listed all the way above, is not compatible with the microphone I listed. Otherwise, please state clearly that it is compatible, to save me from unnecessary hassle.
I greatly appreciate all your help and support. No pressure, but can you please respond ASAP, because I am in a bit of a rush. Thank you!
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