Review: Numark Mixtrack Pro II

How can you improve upon an already successful DJing solution like the Mixtrack? G. W. Childs discovers the Mixtrack Pro II provides more 'bang' than its low 'buck' suggests.  

I'll admit, at one point I really felt sorry for anyone who wanted to get into DJing. Really, it was one of those things that required a sizable investment, but had the same promise of payback that most everything else in music has... not much! Seriously, it's not the same as learning to play piano, or saxophone, or guitar. With instruments of this type, it can be as simple as paying a few hundred dollars, and that's it. When it comes to DJing, it means constantly purchasing music, having to buy speakers, headphones, mics, and so on. 

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Note how I'm referring to DJing as doing something instrumentally. Yes, I do actually see it that way. The act of DJing has evolved very much from playing records for people, while they drink their sodas, and eat pie. Modern DJing requires the learning of crossfading, sample usage, effects usage... It's no wonder that so many DJs segue into actual music creation and production. Seriously, if you tackle DJing, you've already got a pretty firm understanding of mixing, producing, sampling, effects and timing. 

Thankfully, the price is no longer as high as it was to begin. Numark has released a new device known as the Mixtrack Pro II which does an amazing job of buffering the price to begin into the direction of the DJ-to-be. It really could offer something nice to the experienced DJ, to boot. So, how did they do?


Build Quality

I have to say that I'm charmed by the design and sleekness of the Mixtrack Pro II. Unlike many of the DJ devices I've spent time with, the Mixtrack Pro II is highly portable, while still incorporating features that every DJ needs. I'm just so surprised how thin it is. The only thing that adds much dimension to it would be the knobs and faders. And, I'm happy to report that the encoders, buttons, platters, faders and crossfaders feel wonderful, and solid. Granted, the crossfader is supposed to feel loose, and Numark hasn't failed you there either. The crossfader accommodates the nudges and smooth transitions you'd expect. It's loose, but feels really grounded. 

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I'm particularly impressed with the pads that are located near the top of the Mixtrack Pro II. Each pad feels rugged and gives the impression that they could take some abuse. They are very similar to the old Roland R8 pads, and this is a big win for me, as I loved that drum machine. While the pads aren't necessarily designed to do what the R8 did, and that's good, they do very well for what they are intended, and have multiple functions.

The top row's main job is managing FX, the bottom row is primarily for setting up sample loops. These functions work wonderfully and seamlessly with the supplied software. As a matter of fact, when you're using the entire unit, it really feels more like hardware than software. Plus, the browse functionality that is embodied in the Browse functionality of the hardware really does a wonderful job of allowing you to select your next tracks, without having to even touch the laptop.


Software

Installing the software threw me off a little, at first. And, I'll admit, I felt like an idiot, considering that I'm a really big fan of the whole movement to keep the software off of the CDs, and kept online. This ensures that you get the latest version, rather than the two year old version that was on the CD. And, with getting the newest version, you can ensure that you don't have to experience the heinous bugs that usually ship with first rev software. With that rant out of the way, let me tell you about my experience. 

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Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like Lu... Read More

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