The new Tverb from Eventide uses three virtual microphones with the aim to simulate the reverb of a space. Each mic position can be adjusted and mixed. Joe Albano finds out how well this performs.  
Fig 1 Eventide’s Tverb

The Inspiration 

Fig 2 The original room (Meistersaal hall) @ Hansa Studio, Berlin
Fig 3 David Bowie’s 1977 album Heroes

Enter Tverb 

Fig 4 Tverb’s controls

The Nuts & Bolts 

Fig 5 Tverb’s room & (adjustable) virtual mics

The Processors 

The Bottom Line 

Fig 6 Independent Tverbs on lead & backing vocals

The Wrap 


Joe is a musician, engineer, and producer in NYC. Over the years, as a small studio operator and freelance engineer, he's made recordings of all types from music & album production to v/o & post. He's also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magaz... Read More


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