Abletonì˜ ì²« 번째 ë¼ì´ë¸Œ (9)와 함께 푸시를 발표 í• ë•Œ, ê·¸ë“¤ì€ ìŠ¤íŠœë””ì˜¤ ì›Œí¬ í”Œë¡œìš°ë¥¼ í˜ì‹ 하면서 악기와 컨트롤러 사ì´ì˜ ì„ ì„ ëª¨í˜¸í•˜ê²Œ, DAW - 하드웨어 í†µí•©ì˜ í•œê³„ë¥¼ ìž¬ì •ì˜. ì´ ì£¼ë§ì˜ ê¹œì§ ë°œí‘œë¡œ 푸시 (2) ìžì‹ ì˜ ë‹«ëŠ” 기조 연설 무대 ìŒì•… ì œìž‘ìžì˜ 회ì˜, 루프, Abletonì˜ ì•„ì§ ê²Œìž„ì„ ë‹¤ì‹œ 변경하ë„ë¡ ì„¤ì •ë˜ì–´ 있습니다. ìžì‹ ì˜ ì£¼ë ¥ ì»¨íŠ¸ë¡¤ëŸ¬ì˜ ë²„ì „ì€ ëª‡ 가지 ë§¤ë ¥ì ì¸ ìƒˆë¡œìš´ ê¸°ëŠ¥ì„ ìžëž‘하지만, ì›ë³¸ë³´ë‹¤ ë†’ì€ ê°€ê²© 태그와 함께 ì œê³µë©ë‹ˆë‹¤. 그래서 무슨 ì¼ì´ì— 대한 ëª¨ë“ ì†Œëž€ìž…ë‹ˆê¹Œ?
첫 번째 푸시는 ì „ 세계ì 으로 í° ížˆíŠ¸, ê·¸ë¦¬ê³ Abletonì˜ ë°©ì •ì‹ì—서 ì´ì „ì˜ í•˜ë“œì›¨ì–´ 파트너 ì•„ì¹´ì´ì„ ì œê±°, 위ì—서 아래로 공급 ì²´ì¸ì˜ ì±…ìž„ì„ ì´¬ì˜í•˜ê³ 있다. 푸시 1ê³¼ 2 사ì´ì˜ í¬ê¸°ì™€ ë¬´ê²Œì˜ ì°¨ì´ëŠ” 새로운 모ë¸ì´ 약간 ì–‡ê³ ê°€ë²¼ìš´ 나왔다 ë¶ˆêµ¬í•˜ê³ , ì•„ì§ ìŒì•… í•™ëŒ€ì˜ ê¸´ ì¼ ì •ë„로 튼튼한보다는 ë” ë§Žì€ ê²ƒ, 명목ì´ë‹¤. 어떻게 ë“ , ë‚´ê°€ ì›ëž˜ í‘¸ì‹œì— ê³ ë¬´ 마무리는 확실히 스튜디오ì—서 다른, ê·¸ë¦¬ê³ ë¬´ì—‡ë³´ë‹¤ 먼지를 ìœ ì¹˜ í• ë“¯ì—†ëŠ” ì‚¬ìš©ì˜ ë¶€ì¡±; 다행히, Abletonì˜ ì¢‹ì€ì„ ìœ„í•´ì´ ë¬¸ì œë¥¼ ì œê±° 것으로 ë³´ì¸ë‹¤ ì—¬ê¸°ì— ë§¤ë„러운 ì–‘ê·¹ 처리 ëœ ì•Œë£¨ë¯¸ëŠ„ ìƒíŒì„ ì„ íƒí–ˆë‹¤.
64 ì†ë„ì— ë¯¼ê°í•œ ë°±ë¼ì´íЏ 여러 가지 ë¹›ê¹”ì˜ íŒ¨ë“œ, 리본 touchstrip, ì—¬ëŸ í„°ì¹˜ 로터리 ì¸ì½”ë”, ê° ì¸¡ë©´ì„ ë”°ë¼ ìµœì„ ì„ ë‹¤í•˜ê³ ìƒí™©ì— 맞는 ë²„íŠ¼ì˜ ë°°ì—´ : ì¼ë°˜ì ì¸ ë ˆì´ì•„ì›ƒì€ ê¸°ë³¸ì 으로 ë™ì¼í•˜ê²Œ 나타납니다. í™”ë ¤í•œ í’€ 컬러 ë””ìŠ¤í”Œë ˆì´ëŠ” 첫 번째 ë²„ì „ì€ ë‹¨ìˆœížˆ ìƒëŒ€ì 으로 빈약 한 LCD를 ì œê³µ í• ìˆ˜ì—†ëŠ” 세부 사í•ì˜ ìˆ˜ì¤€ì„ ì œê³µí•˜ê¸° 위해 밖으로 ì´ë™í•©ë‹ˆë‹¤. 컴퓨터를 ë³´ì§€ ì•Šê³ ë¼ì´ë¸Œ íƒìƒ‰, 조명 ì¡°ê±´ì˜ ë„“ì€ ë²”ìœ„ì—서 ì–´ë–¤ ê°ë„ì—서 ë³¼ 때 ì„ ëª…í•˜ê³ ëª…í™•í•˜ê²Œí•˜ê¸° 위해 ì„¤ê³„ëœ ë‹¨ì§€ 훨씬 ë” í˜„ì‹¤ì ì¸ ì–»ì—ˆë‹¤.
ì˜¤ížˆë ¤ ì´ì „ì— ê·¸ëƒ¥ 화면 아래ì—있는 ì „ìš© 기능 ë²„íŠ¼ì˜ ë‘ í–‰ë³´ë‹¤, 새로운 멀티 컬러 ë°±ë¼ì´íЏ 기능 ë²„íŠ¼ì€ ì§ê´€ì ì¸ ìƒí™©ì˜ ìƒí˜¸ ìž‘ìš©ì„ í—ˆìš©, ìœ„ì˜ í•˜ë‚˜ì˜ í–‰ ë””ìŠ¤í”Œë ˆì´ ì•„ëž˜ì— í•˜ë‚˜ì˜ í–‰ìœ¼ë¡œ ë¶„í• ë˜ê³ , 트랙 색ìƒìœ¼ë¡œ 구분 다른 ì •ë³´ê°€ 표시
오목 기능과 ì „ìš© ë²„íŠ¼ì€ ê³ ëŒ€ë¹„ì˜ ë°±ë¼ì´íЏ, ê·¸ë¦¬ê³ ë§Œì¡±ìŠ¤ëŸ¬ìš´ ì•„ì§ ë¯¸ë¬˜í•œ í™•ì¸ í´ë¦ì„ ì œê³µí•©ë‹ˆë‹¤. 와 버튼ì—서 지금 ìƒí™©ì— 맞는 íƒìƒ‰ 화살표로 ëŒ€ì²´í•˜ê³ , ì „ìš© 볼륨 ë° íŒ¬ : 가능하다면, 불필요한 ë²„íŠ¼ì€ ì œê±° ëœ
2ì˜ ë°˜ì‘ íŒ¨ë“œëŠ” 좀 ë” ë¯¼ê°í•˜ê³ ì´ì „ 모ë¸ë³´ë‹¤ 부드러운 것 누릅니다.
세 ê°œì˜ ë²„íŠ¼ì´ ì¶”ê°€ë¡œ ì „ìš© ë ˆì´ì•„웃 ë²„íŠ¼ì˜ í˜•íƒœë¡œ 나타납니다
2ì˜ ë°˜ì‘ íŒ¨ë“œëŠ” 좀 ë” ë¯¼ê°í•˜ê³ ì´ì „ 모ë¸ë³´ë‹¤ 부드러운 것 누릅니다. 세 가지 ì„¤ì •
첫 번째 누름으로, 나는 종종 ìžì‹ ì´ ë¸Œë¼ìš°ì €ë¥¼ íƒìƒ‰í•˜ê¸° 위해 ì»´í“¨í„°ì— ë³µê·€í–ˆìŠµë‹ˆë‹¤. ì´ ìˆ˜ë§Žì€ ì¨ë“œ 파티 플러그ì¸ì˜ ë‚´ 습관ì ì¸ ì‚¬ìš©ì— í° ë¶€ë¶„ì—서 기ì¸
ê³„ë‹¨ì‹ í•˜ìœ„ 메뉴를 통해ë¿ë§Œ ì•„ë‹ˆë¼ ì§€ê¸ˆ ë‚´ê°€ 푸시ì—서 ì§ì ‘ 필요로하는 ëª¨ë“ ìž¥ì¹˜ì— ì•¡ì„¸ìŠ¤ í• ìˆ˜ 있지만, ì¸ì½”ë”를 사용하는 ì¡°í•©ì´ ë¶€ë“œëŸ½ê²Œ 스í¬ë¡¤í•˜ë©´ 훨씬 ë” ì¦ê±°ìš´ ê³µì •í•˜ê²Œ
ì•„ë§ˆë„ ìƒˆë¡œìš´ 푸시 브ë¼ìš°ì €ì˜ 가장 ì£¼ëª©í• ë§Œí•œ íŠ¹ì§•ì€ ê´€ë ¨ì´ì—†ëŠ” ë²”ì£¼ì˜ ìƒí™©ì— 맞는 ì œê±°ëŠ” 다ìŒê³¼ 같습니다 예를 들어, 오디오 트랙ì—서 장치를 ê²€ìƒ‰í•˜ê³ MIDI 효과 나 악기 í´ë”를 ë³´ì—¬, 그래서 표시ë˜ì§€ 않습니다 단순히 밀어 필요가 없습니다 ê·¸ê²ƒë“¤ì€ ê²€ìƒ‰ì„ ê°„ì†Œí™”í•˜ê³ í•„ìš”í•œ 공구를 찾는 ê³¼ì •ì„ ê°€ì†í™”. 불행하게ë„, 오디오 파ì¼ì€ 푸시 브ë¼ìš°ì €ë¥¼ 통해 오디​​오 íŠ¸ëž™ì— ì ‘ê·¼ 불가 남아; ì´ê²ƒì„ ì œì™¸í•˜ê³ , 나는 푸시 2는 ì´ì œ ì´ìƒê³¼ GUI 브ë¼ìš°ì € ìœ„ì˜ ìš°ìˆ˜í•œ 브ë¼ìš°ì§• ì¸í„°íŽ˜ì´ìŠ¤ë¡œ 강한 경우가 있습니다 ë§í• 것입니다.
푸시 2는 ì •ë§ ì•…ê¸°ë¡œ 앞으로 단계를 ì†Œìš”í•˜ê³ ì°½ì¡°ì ì¸ ë„구는 다시 간단한 ìž¥ì¹˜ì— ì˜í•´ 가능하게 새로운 오디오 조작으로입니다. 새로운 ê°„ë‹¨í•œì— ëŒ€í•œ ìžì„¸í•œ ë‚´ìš©ì— ê°€ì§€ 않ê³
푸시 2는 ì •ë§ ì•…ê¸°ë¡œ 앞으로 단계를 ì†Œìš”í•˜ê³ ì°½ì¡°ì ì¸ ë„구는 새로운 오디오 조작으로 ì¸ ê²½ìš°
í´ëž˜ì‹ 간단한 ì´ì „, ëª¨ë“ ì—°ì£¼í•˜ëŠ” ê²ƒì€ ë™ì¼í•œ 출발ì ì—서 노트를 íŠ¸ë¦¬ê±°ì˜ ë™ìž‘ì„ ë³µì œ
푸시 ì •ë§ ë†€ì´ë¡œ 오는 ê³³ 슬ë¼ì´ìФ 모드입니다. 쉽게 구성 샘플 ì¡°ê°ìœ¼ë¡œ ë¶„í• í•˜ëŠ” ê²ƒì€ ê°€ëŠ¥ 슬ë¼ì´ìŠ¤ì˜ ìˆ˜ë¥¼ ì¡°ì ˆí•˜ëŠ” ê°ë„ 다ì´ì–¼, 바람ì´ë‹¤. 패드 슬ë¼ì´ìФ 모드를 사용하면 ê·¸ì— ë”°ë¼ ëŒ€ì‘하는 패드를 íŠ¸ë¦¬ê±°ì— ì˜í•´ ìƒ˜í”Œì´ ìž¬ìƒ íŒ¨ë“œì— í• ë‹¹ í• ì²í¬ë¥¼ ì§€ì •í• ìˆ˜ 있습니다. 그것ì€ì˜ 묘리를 í„°ë“하기 위해 ì•½ê°„ì˜ ì—°ìŠµì´ í•„ìš”í•˜ì§€ë§Œ, 푸시는 확대 ë“±ì„ ì›í™œ 다시 마우스로 ìƒ˜í”Œì„ íŽ¸ì§‘ í• ìˆ˜ ì—†ì„거야하는 ê° ì¡°ê°ì˜ 시작 ì§€ì ì„ ì°”ëŸ¬ 수 있습니다. í™”ìŒ ëª¨ë“œëŠ” 드럼 ëž™ ìŠ¤íƒ€ì¼ ìŠ¤í… ì‹œí€€ì„œì— ìŠ¬ë¼ì´ìФ 모드 스위치ì—서 ë ˆì´ì•„웃 ë²„íŠ¼ì„ ì¹˜ëŠ” ë™ì•ˆ, 기본 64 패드 모드ì—서 ë™ì‹œì— 여러 ì¡°ê°ì„ 재ìƒí• 수 있습니다
ë‹¹ì‹ ì´ ë‹¹ì‹ ì˜ ì»´í“¨í„°ë¥¼ ë´ í•„ìš”ì—†ì´ ë§Œë“¤ 수 있습니다 악기 : ì˜ì‹¬ì˜ 푸시 2ê°€ ê·¸ë“¤ì´ í• ê·œì • ëœ ê¸°ê³„ëŠ” Abletonì˜ ì£¼ë ¥ 컨트롤러가 훨씬 ë” ê°€ê¹Œì´ ê°€ì ¸ì˜¨ë‹¤ 없습니다. 지금 틸 ë°€ì–´ë³´ê¸°ì— ëŒ€í•œ 호기심하지만 '밖으로 개최 ì‚¬ëžŒë“¤ì„ ìœ„í•´, 2ì˜ ìƒˆë¡œìš´ ê¸°ëŠ¥ì€ ë‹¤ì†Œ ë†’ì€ ê°€ê²© 태그ì—ë„ ë¶ˆêµ¬í•˜ê³ ì„¤ë“ë ¥ì„í•œë‹¤ê³ ë°€ì–´ 넣습니다. ë˜í•œ Abletonì˜ì´ ê³§ 푸시 2ì— ëŒ€í•œ ë” ë§Žì€ ìœ ìš©í•œ ê¸°ëŠ¥ì„ ê³µê°œ í• ê²ƒ ìƒìƒí•´ì•¼í•˜ì§€ë§Œ, 우리는 단지 ê·¸ë“¤ì´ ì„ ì•„ëž˜ë¡œ 가게ì—서 무엇ì„ë³´ê³ ì‹¶ì–´ í• ê²ƒì´ë‹¤.
ì´ë¯¸ 푸시를 ì†Œìœ í•˜ê³ ìžˆë‹¤ë©´, ë‹¹ì‹ ì€ ì •ë§ 2를 눌러 필요합니까? ê³ ê¸‰ìŠ¤ëŸ¬ìš´ 움ì§ìž„으로, ë¼ì´ë¸Œ 9.5ì˜ ì£¼ìš” 새로운 ê¸°ëŠ¥ì˜ ë§Žì€ë¿ë§Œ ì•„ë‹ˆë¼ í‘¸ì‹œ 1ì— ì‚¬ìš©í• ìˆ˜ 있지만 단순히 ë” ê·¸ 새로운 ë””ìŠ¤í”Œë ˆì´ì™€ ê²½ìŸì´ 없다. ìƒí‘œ ìœ ì²´ íë¦„ì€ 1-2 ì™„ì „ížˆ 다소 번ì—하는 ë™ì•ˆ, ì‹œê°„ì— ë‚˜ëŠ” 나 ìžì‹ ì´ ì§€ê¸ˆ 푸시 2ì— ìˆœê°„ì ì¸ ê¸°ëŠ¥ì„ ê°ì†Œ 푸시 (1)ì˜ ëž˜ì¹˜ ìŒì†Œê±° / 솔로 / ì •ì§€ ë²„íŠ¼ì„ ê¸°ì› ë°œê²¬ 했는가
ì—…ê·¸ë ˆì´ë“œë¥¼ ê³ ë ¤í•˜ëŠ” 사람들ì„위한 거래를 달게하기 위해, Abletonì˜ ë‹¤ë¥¸ ì œì¡° ì—…ì²´ì—서 ë§Žì€ ê²ƒì„ ë°°ìš¸ 수있는 단위 ìˆ˜ìµ ëª¨ë¸ì„ 발표했다. 반환 푸시 1 대를 기ì¦í•˜ì—¬ êµì œ ì‚¬íšŒì— ê¸°ì—¬
가격 : EUR 699 / USD 799
장ì : ìœ ì²´, ì‹ ì„ í•œ ë””ìžì¸ 푸시 1ì˜ ì˜ê° ì›Œí¬ í”Œë¡œìš°ë¥¼ í–¥ìƒ; ê°„ë‹¨í•œì˜ ìƒˆ ë²„ì „ê³¼ì˜ í†µí•©ì€ ìƒˆë¡œìš´ ìˆ˜ì¤€ì˜ ìƒ˜í”Œ ì¡°ìž‘ì„한다; í™”ë ¤í•œ ë””ìŠ¤í”Œë ˆì´ ìš°ì•„í•œ ì¸ì½”ë” í†µí•©ì€ ê±°ì˜ ì‹¤ì‹œê°„ì˜ GUIì— ì˜ì¡´ í• í•„ìš”ê°€ 없어
단ì : 최근 USB ìž…ë ¥ì€ ì¼ë°˜ì ì¸ USB ì¼€ì´ë¸”ì„ ìˆ˜ìš©í•˜ì§€ ì•Šì„ ìˆ˜ 있습니다; ë””ìŠ¤í”Œë ˆì´ ë° ìœ ìš© í• ìˆ˜ìžˆëŠ” 조명ì„위한 ì „ì› ê³µê¸‰ 장치가 필요합니다; 하드웨어 ì—°ê²°ì— ëŒ€í•œ MIDI ì¶œë ¥ 없다 í™”ë©´ì´ ì‰½ê²Œ ê¸íž 것 같다.
웹 : https://www.ableton.com
Discussion
Great review and write-up overall. If I may, I'd like to point out three glaring omissions that I hope will be added into your already excellent review, as they're the kind of things a consumer should be made aware of ahead of time:
1. No Dedicated Hot Swap Button. More than anything, this is a bit of annoyance considering that such a simple (but effective) function has yet to be programmed in. I primarily utilize the hot swap function when testing out different hits with my drum rack, so having to constantly reach for the mouse button to engage hot swap functionality is quite cumbersome.
2. HUGE Velocity Spike Bug. When playing chords using the brilliant Push 2 pads, there is currently a bug (acknowledged by Ableton) that causes the velocity value to spike to 127, despite the user applying a light touch. The current Beta provides some relief to the bug, but it is still quite present when playing chord progressions. Ableton is currently working on a permanent fix, but no timetable has been given. This, for me personally, verged on being a deal breaker. The best work around is to currently engage a fixed velocity value to prevent spikes, but this prevents expressive play of synths the make use of velocity and aftertouch functionality. The result is very static sounding progressions.
3. Lack of BPM Input Dialog Box for Simpler. This has proven to be a huge pain. In past, dropping an audio file onto an audio track would reveal an additional Warp box with an area where the user could input the audio file's BPM, helpful when Live's auto analysis is incorrect. With Push 2, the emphasis is placed on a near all MIDI workflow, so said audio files are dropped into a MIDI track loaded into instance of Simpler. The problem is that once the file has been loaded into Simpler, the user cannot define the BPM. For example, let's say I want to use a 128 BPM vocal sample in a Drum n Bass tempo'd project (174 BPM). If the project is set to 174 BPM, if the audio sample loaded via Push 2 into a instance of Simpler is analyzed with the incorrect BPM, there is no way for the user to correct it. There is no rhyme or reason to why Live can accurately analyze some audio files and not other when loaded into Simpler, which makes it all the more frustrating.
Push 2 is a great controller, the OLED screen and ingenius function mapping is worth the price of admission. However, the Velocity Spike-Bug is something that the team really should have had fixed prior to release as it directly affects one of the core fundamentals of creating music: playing chords with expression. I can't wait to see what the future holds for Push 2, but I (and many other Push 2 owners) hope a fix is coming sooner than later.
Cheers.
With regards to the lack of a dedicated Hot Swap button, while the improved Push 2 browser does provide similar functionality, I can see how this would be problematic for certain users. As someone who's never made much use of Live's Hot Swap functionality, it wasn't something I was looking for, which should explain the oversight. My apologies.
As for the serious velocity spike bug you've mentioned - though I've yet to personally experience it and this is the first I've heard of it - I'm astonished it wasn't caught during the extensive beta-testing process. That said, I believe Ableton is working to address this issue with a firmware update that should be available soon.
The BPM dialog box for Simpler is a great idea that I hope they will implement with a future update as well.
Happy Pushing!
I completely understand the omission of the Hot Swap function from your review now based upon your POV and workflow.
Luckily, Live's newest Beta addresses the velocity spike issue. While it's not 100% resolved, the spikes aren't nearly as frequent or dramatic. The spike is caused by users like myself who tend to rest their fingers on Push's pads (in my case specifically, when using two hands to perform), while only certain fingers are applying pressure/striking for notes. What happens is push cannot determine whether the rested fingers are a applying a very light touch or null, so it reverts to maxing out the velocity which is something that can stick out when playing chords. Adjusting the Pressure Threshold setting doesn't yield any different result. But as mentioned, the latest release notes of the most recent Beta references this nasty bug and provides an interim fix.
Regardless, Push 2 is a remarkable controller with potentially limitless options. I'm eager to see what type of scripting and apps are developed by Ableton Push 2 power users and how they'll take advantage of the gorgeous screen. :)
Cheers.
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