皮特·汤森在小尺寸生产大控制台声音

Rounik Sethi on Nov 03, 2015 in Interviews | 0 comments

Pete Townshend talks about the process of mixing with a console, his love and use of the Audient 4816 and the big console sound in this exclusive video interview courtesy of Audient.

皮特·汤森，音乐家，歌手，制作人，可能最知名的主音吉他手的乐队，谁人。他是他们的主要词曲作者，已经写下了100多首歌曲在他们的11张录音室专辑，以及超过100首歌曲对自己的个人专辑。他被称赞为前10名吉他手在滚石和Gibson.com之一。

谈起注意的，在

The Audient ASP 4816 in Pete Townshend's studio

内的线结构是真正吸引汤森到注意的4816.当他使用磁带或雷达如磁带机，以便在在线，预计算机工作流适合他的生产过程。

Pete Townshend records to tape and finds the 4816 flexible enough to fit his workflow.

手表与皮特汤森5分钟的采访，他谈到了控制台他“

虽然许多工作室，特别是工程和家庭工作室，最近被从控制台搅拌机扶着走，皮特·汤森认为，

当他有一个商业工作室，他们有很大的注意的控制台混频器和麦克风前的架子

Pete with his beloved Audient 4816.

皮特概括起来通过解释4ASP 816

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许多生产商都同意，控制台

Learn more about the Audient 4816 here.
Synthesis 101
The Filter
by Bob Moog Foundation

Rounik Sethi

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"Rounik is the Executive Editor for Ask.Audio & macProVideo. He's built a crack team of professional musicians and writers to create one of the most visited online resources for news, review, tutorials and interviews for modern musician and producer. As an Apple Certified Trainer for Logic Pro Rounik has taught teachers, professional..." Read More

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