أفضل برامج تسجيل موسيقى

Logic Takes Over the Music World When Apple bought Logic from Emagic in July of 2002, the audio world took a big breath and wondered what would happen next. Until that time, Apple's line of Pro Creati  

منطق تتولى الموسيقى العالمية

استغرق العالم الصوت عند شراء التفاح من المنطق Emagic في يوليو من عام 2002 ، نفسا كبيرة ، وتساءل ماذا سيحدث المقبل. حتى ذلك الوقت ، وشملت خط ابل من البرمجيات الإبداعية برو فقط Final Cut Pro و DVD ستوديو برو... طلبين مدهشة حقا. ولكن القليل لم نكن نعرف آنذاك أن أبل لديها خطط لتحويل ماك في كل منصة حلم الفنانين.

أبل شراؤها قبل المنطق ، وكان Emagic شيئا أكثر من لاعب في العالم بت الانتاج السمعي. وكان المؤيد أدوات صناعة فعلية القياسية شعبة النهوض بالمرأة (محطة الصوت الرقمية) ، وإذا كنت قد عملت في مجال الموسيقى في أي نوع من مستوى خطير ، فإنك بالتأكيد تستخدم أدوات Pro في الاستوديو الخاص بك. وكان من المتوقع ، لأن أدوات فقط برو (آنذاك) قد توفر طاقة معالجة الخام اللازمة لمضغه من خلال مشروع متعدد المسارات كبيرة مع طن من آثار DSP إضافة إلى كل مسار من المسارات ، مما يجعله أفضل تسجيل الموسيقى البرمجيات.

كان السبب Pro أدوات تمتعت هذه ميزة تنافسية في الوقت المناسب لتسريع الأجهزة التي ديجي التصميم (صانع الأصلي من قبل Pro أدوات AVID وحصلت عليه) تضطر لشراء لتشغيل البرامج الخاصة بهم. ترد هذه البطاقات الأجهزة النوى معالجة إضافية التي لم كل الأحمال الثقيلة عند تطبيق reverbs ، ضغط ، من مكافئ ، وهلم جرا. ولكن جاء كل ذلك تجهيز الطاقة بسعر... سعر خطيرة... في بعض الأحيان عشرات الآلاف من الدولارات.

وكان هذا حيث شهد أبل فرصة. يعرف التفاح تم تعيين قوة المعالجات الداخلية المستخدمة في أجهزة الكمبيوتر الخاصة بهم إلى زيادة كبيرة. كانوا يعرفون أيضا أن عملاء النفوذ بدلا من قوة جهاز الكمبيوتر المضيف ، وشعبة النهوض بالمرأة رخيصة نسبيا (منطق) لجعل الموسيقى ، بدلا من شراء اضافية ، ومكلفة جدا ، والأجهزة الخارجية أن تفعل نفس الشيء بالضبط. ولأن المنطق كان فقط لتشغيلها على نظام التشغيل Mac ، أبل ، ويعلم أيضا أن شراء المنطق من Emagic ستجلب جيل جديد كليا من المنتجين لبرنامجهم ، والتي سيكون لها نتيجة السماح لهم لبيع المزيد من أجهزة الكمبيوتر. كان فوز الحالة / للجانبين...

ومنذ عام 2002 لقد لاحظت وجود تقدم مطرد في عالم الموسيقى نحو استخدام المنطق. تقريبا كل استوديو في العالم يقدم الآن على حد سواء والمنطق Pro أدوات التسجيل في الغرف ومزيجها. قد حلت محل العديد من Pro أدوات بن معا. خارج عامل السعر ، والناس مثل المنطق لأنها توفر الإمكانات الخلاقة. المنطق والتوجيه الصوتي المتفوق وظائف التحرير ميدي. هناك العشرات من الأدوات والبرمجيات وآثار DSP يبنى الحق في (مما يجعلها واحدة من "استوديو في مربع" الأكثر تنوعا تطبيقات البرمجيات في السوق اليوم) ، والوحدة مع بنية الصوت التي تستخدمها المنطق ، يمكن تصميم 3 صانعي المساعد الطرف الآثار والأدوات التي المكونات بسهولة في المسارات الخاصة بك لتعزيز قوة البرمجيات.

For many producers today, it's a no brainer ... they grab a mac and a copy of Logic, and they are ready to go! Logic is taking veer the music production world ...Best music recording software, what do you think?
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Martin Sitter
Publisher

Martin Sitter is the Founder of NonLinear Educating Inc., and the CEO of macProVideo.com, AskVideo.com, and Ask.Audio. Martin started out as a DJ and Record Producer in the 90s. At the turn of this Century, Martin was recruited by Apple Computers to design and author their Official Software Training Curriculum for Logic, Soundtrack ... Read More

Discussion

Rounik
Without doubt Martin, I agree with you. Logic is the way forward on the Mac for recording & producing music. It's amazing how the price has been slashed since Apple took over. I remember back in the Logic 5 days to purchase Logic and all the plugins would cost in the region of £1200 GBP! Now, with so much more content, many more plugins, amazing features it's available for under £400 GBP.

As CPUs in Macs become more and more powerful, applications like Logic and Live will surely keep growing their user base, while I expect Pro Tools to become more and more affordable too.
Martin Sitter
Avid has to do something with Pro Tools to keep up. Their booth at NAMM was a shadow of it's former glory ... just a few pods and some tables to talk business at. No flashy presentations ... no big stage. And interestingly no Digi Design. Avid laid off a huge amount of staff last fall ... that's always a sign of things to come.
Eric
I definitely agree with you both about Logic 9 being the top dog right now, but then again, Logic (and Reason) are the only sequencers that I'm fluent in (I ditched Reason after I became fluent in Logic). I have a pretty solid opinion about why I use Logic Studio as opposed to Pro Tools 8. Mainly because Logic and Pro-Tools are constantly paired against each other. I'm not nearly as clear as to why I use Logic 9 as opposed to other sequencers like Digital Performer 7 or Cubase 5. I'd be very interested to hear what either of you have to say. How do the other DAWS compare with Logic 9? What does Logic do better then them, and in what ways might the other DAWS have slight advantages over Logic 9?

I bleed Logic, so I'm not planning on switching platforms. I am, however, very curious hear your 2¢ on the matter.
Rounik
@ Eric, there are many similarities and differences between Logic and the competition. Let's choose Cubase first. Cubase has some great features and plugins in version 5... but it doesn't have an 'Environment'... This is a bog thing for me and performance of Cubase on Mac isn't as good as Logic.

Digital Performer 7. I'm not hugely versed in DP7. Again no environment style area is a killer blow for me. It's apparently very good for scoring movies but the interface never got me going. Also, for some bizarre reason when I first got Logic back in version 5 DP7 was big in the states but not very popular here in the UK.

Basically, Logic allows for a very very configurable workflow that suits my needs. Also, I just love Logic... I don't ge that feeling with other DAWs... I like them and appreciate them... but not the big L word ;-)

Having said that, there are features in Cubase 5 and Live that I like...
Victor Mason
WOW, I just logged on tonight and I see a big fresh update to MacProVideo.com. Martin, you've been a busy man creating these articles for the new blog and your a great writer not to mention a great instructor. It's an amazing progression when you think about it. Logic is superior in so many ways. The sound sculpting synths and the built in EFX are extremely valuable. Logic is 64 bit and still accommodates 32 bit user plug ins. I went to NAMM this year and EVERYONE of any serious caliber was running logic. Melodyne is probably one of the most powerful softwares for audio around and of course, they were demoing and running on logic. I use a good number of plugins and frankly, Logic is so powerful, I am only using a few. you don't need a lot of plug ins unless your very specific in your needs which would be outside of logic. This website and the tutorials here along with the great forum support have taught me so much in such a short time, I am already working on my level two certification with Apple and the book looks like a printed review of what I have already learned with MacProVideo.com. I actually learned more with this companies training and to think I was completely ignorant to logic only 8 short months ago.

Apple is a dominate cultural force in todays society and Logic is so powerful, it's like handing over the keys to a serious professional studio for $500. Apple products are superior and the fact that they offer some of the smoothest running computers with the fastest and most powerful computing systems allows Logic to run completely in a native environment without external parts. That is simply amazing. Pro Tools cannot survive with a dominate force like Apple providing better and better product and software at these low prices. Lets see, $10K- $15K USD for a pro Tools HD set up ( the cheap one) or $500 for Logic that can outperform it?

Pro tools says, Nope you can't do that if you try something that is not conventional where as Logic says, " Lets try it?" You tell me.
Martin Sitter
Hi Victor, I'm glad to know the vids are helping! And even happier to know you're getting up to speed on Logic quickly ... :) ... I used to write the courseware for Logic for Apple, and IMHO these videos are a far better and quicker way to learn.

Great work over at vintageamps.com ... I love what you're doing there Victor!!

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