Lógica e Omnisphere Tutorial: Create Your FX possui In Space Designer

Toby Pitman on May 31, 2011 in Logic Pro 23 comments

Space Designer is a powerful tool. Not only can it be used to load Impulse Responses for realistic reverbs but it can also load any .aif or .wav that can be convolved (merged) with any source you feed  

Lógica do Space Designer é uma ferramenta poderosa. Não só ele pode ser usado para carregar Responses Impulse para reverbs realista, mas também pode carregar qualquer aif. Ou. Wav que podem ser convolvidos (incorporados) com qualquer fonte de alimentação para ela, para fazer todos os tipos de sons novos e excitantes e FX.

Im indo mostrar-lhe apenas um exemplo rápido do que você faz com com isso.


Passo 1 - criar algum conteúdo

Este exemplo começa em Omnisphere com uma amostra de ruído branco simples chamado Moog Modular Raw Noise White. Ive aplicada a configuração padrão Unison e um pouco de Mod Ring.


Im indo para modular o Amp, filtro e Res com alguns dos presets fornecido envelope Rítmica para criar um loop FX. Eu aconselho você experimentar e ver o que você recebe.


[Audio id = "6684"]


Uma vez Im feliz Ill bounce-lo para um arquivo AIF 24 bit.


Passo 2 - Configurar Something To Efeito

Ive feito uma sequência de bateria 4 Bar usando o kit padrão em Ultrabeat. Seu bem básico! Doente, em seguida, criar um Bus Enviar para um autocarro no meu canal Ultrabeat e transformá-lo até 0db.

[Audio id = "6683"]


Passo 3 - Coloque seu som

Agora eu estou indo para carregar laço barulho que eu fazia no Espaço Designer thats sido inserido em um ônibus e transformá-lo em um efeito Delay!

Eu faço isso, escolhendo Load IR e Init da amostra IR suspensa e navegando para o meu arquivo de áudio devolvidos.


Após jogar o meu Ultrabeat seqüência Eu posso ouvir o resultado da convolução entre os dois arquivos de áudio.

[Audio id = "6688"]


Um pouco de confusão no momento e precisa de alguns ajustes. Como você pode ouvir o ruído de Loop está jogando todo o caminho até o fim cada vez que seu acionado e convolvidos com os sons Ultrabeat.

Im que vão levar o envelope de volume e torná-lo mais curto.


Ive também ajustado o parâmetro Start IR (este pode produzir algumas variações interessantes!). Eu só experimentei até que eu vim com um resultado que eu estava feliz com ele. Ive acrescentou alguns Delay de exemplo para ampliar o efeito

[Audio id = "6689"]


O resultado é um efeito de delay sutis filtrada como o meu espaço de arquivo de áudio Designer imprime-se sobre o Ultrabeat sons sendo alimentados para ele.

De agora em diante você pode apenas repetir o processo para criar alguns efeitos muito legal sons que são impossíveis de alcançar. Aqui está um laço com duas Designers espaço adicional no Ônibus diferente.

[Audio id = "6685"]


Dicas de como usar esta técnica

IRs usando Pitched

Você pode notar que o loop acima assumiu uma nota. Isso porque um dos arquivos carregados no Espaço Designer tem informações pitch e quaisquer características campo será impresso no sinal de entrada.

Usando como fonte de ruído para o seu IRS vai produzir efeitos não-lançado como o ruído não tem campo definível.


Características de freqüência

Ive começou este acorde feita a partir de um par de formas de onda em Omnisphere. Tem uma ampla faixa de freqüência de baixo para cima.

[Audio id = "6682"]


Im indo para alimentar este arquivo com um laço 16 nota de ruído (que tem um filtro passa-banda em que modulada por uma amostra

[Audio id = "6686"]


O loop Noise só dispara as frequências correspondentes dentro do IR, produzindo isso.

[Audio id = "6687"]


O efeito é muito semelhante ao de vocoding. Observe como curto o envelope está dentro Space Designer.


Comprimento da amostra e envelope

As coisas podem ficar muito embaçado quando se usa esta técnica. Amostras realmente curto IR (quero dizer, realmente curto 1-100ms) vai criar efeitos tipo mais EQ. Ajustar o envelope de volume para tempos mais curtos podem ajudar a limpar o efeito e torná-lo mais definido.

Eu realmente espero que este lhe deu o desejo de ser criativo com isso. As possibilidades são ilimitadas e podem ir desde a altamente perturbador completamente linda, tão só experimentar!


Não tem Omnisphere? Visite o website Spectraonsics para obter detalhes sobre como comprar e confira o macProVideo.com Omnisphere tutorial 101 .

Toby Pitman

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For the past 20 years Toby has worked as a professional guitarist, programmer and producer. Clients include Sir Paul McCartney, George Michael, Shirley Bassey, Yusuf Islam, Giles Martin as well as the London 2012 Olympic Ceremonies. He has also worked extensively in TV, Advertising and Film. As well as composing himself he has also ... Read More

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Discussion

Pat Buckna
Very cool technique - thanks
May 31, 2011
Peter Schwartz
Beautiful technique! I may never leave the house playing with this. Cheers!
Jun 01, 2011
Rounik
Really love this tutorial Toby! Thanks for sharing.
Jun 01, 2011
Richy
Hi, can anyone tell me how to do the sample and hold LFO bit (frequency characteristics) within massive?
Jun 05, 2011
Jeff C
Hey there,

Apple includes a large (~ 400MB) library of material very similar to this with Logic Studio 2. Its an optional installed named Warped Effects for Space Designer.

Its really great that Toby is walking you through the process of making your own. I worked on the development of the Warped Effects library and had a blast making them. Convolution Reverbs like Space Designer can be so much more than high quality reverbs.
Jun 10, 2011
Rounik
Hi Jeff,

Well the Space Designer Warped Library is one of my go-to places for weird and wonderful sound design in Logic... So Thank You!!

I second that. Love the way Toby walks us through making our own "warped" additions ;-)
Jun 10, 2011
Jeff C
We definitely learned a lot in the process and used so many sound sources. Turns out Omnisphere is totally ideal for this work. If only it had been available then, we might have made even more compelling files.

Which parts of the collection do you gravitate towards the most?
Jun 10, 2011
Rounik
Yup... Omnisphere makes the world a better place IMHO!

Can you reveal any of the sound sources you used in certain presets?

I find myself hanging out mainly in the Drone Tones and Textures area. (I love making ambient soundscapes).

:)
Jun 10, 2011
Jeff C
hmm, its been a while.

It was a collaborative effort with several designers involved, so I can't speak to it all. I do know several analog modulars and a Kyma Capybara. I think an Access Virus provided some useful source too.

I feel like I'm still learning what will and won't work well with some material. It was quite a learning process.

Also, wish that we could have delivered content that worked at arbitrary tempos.
Jun 10, 2011
Rounik
Thanks Jeff,

That's really interesting to know. Seems like the Access Virus finds its way into all sorts of sound design realms.

I imagine you must've created a fair few presets that never made it to the final release?

So do you have a favourite category in the Warped Effects or even a preferred preset?
Jun 10, 2011
Jeff C
Indeed, we love Access.

There is always left overs. Sometimes they are planned for future releases, sometimes just because we end up with too much of a specific class of texture or rhythm. If there's too much of a thing that's too similar it kind of slows the review and selection process. I find people don't have much patience and if they don't make a decision in the first 15-30 previews, they may give up. So, keeping it lean and well differentiated is something that helps improve hits.

I think its all pretty great, so its hard to say.

Textures was designed with sustained sounds like pads in mind. I love those. That might be my favorite.

That said, the rhythmic stuff discussed above is somehow very satisfying. So, our Ghost Rhythms are quite fun.

It tough to pick a favorite because the beauty of these is that the source content is key. The same SDIR can sound very different on 3 different sound sources.

haa haa.. just reviewing these, I am having flashbacks to very challenging file naming work. Its not easy naming files like this.
Jun 10, 2011
Rounik
Well, I've just been looking at Kyma again... it gets mentioned with hugh regard a lot in the circles I frequent, but I've never tried it out myself.

Well, you inspired me to spend some more time exploring the Ghost Rhythms again.

But you know I was going to mention that you've done a great job not only designing the preset but also naming them! Honestly, the names have worked well for me when browsing through.
Jun 10, 2011
tobypitman
Hi Jeff,

Thanks for the comment mate. I'm more than familiar with the Warped library (great job!) as they not only make great content for Sound Designer but they also make an insanely good FX Loop library as well.

I use them all the time as raw AIF files in productions especially 'Ghost Rhythms'. Nice and tasty bit crushed loops!! :)

I've been using libraries like Kalideskopy and Spectral Relativity for years so to see Apple include this kind of content was a bonus for me!

All the best :)
Jun 11, 2011
Jeff C
Its always a pleasure to hear positive feedback about work like this. I love how well it demonstrates that there's more to Space Designer than great sounding reverb.
Jun 13, 2011
sammydave
Nice technique. In your last example, why aren't we hearing the beat? Is the rhythmic loop on a muted track, triggering Space Designer on a buss?
Jun 30, 2011
tobypitman
Hi sammydave,

If you look at the image above the audio you'll see the dry signal is at 0% so you only hear the effect.

:)
Jun 30, 2011
sammydave
Gotcha. Now I get it. Thanks!
Jun 30, 2011
sunbambino
Jus wanna thank Toby and Jeff, this is stellar info,

The Ghost Rhythm library is one of the most original and compelling aspects of LPX imo, an experimental goldmine no less, and here we are being showen how to expand that archive!!! Again BIG TNKZ

Sun B
Nov 17, 2019
Jeff C
I love this old thread. Glad to hear it continues to guide you through this workflow. Also, you can drag Apple Loops into Space Designer. Find a loop which is natively at the tempo of your project and drag it in. I recommend some synth loops.. Try and find something of moderate complexity.. Also, try using the volume envelope to make the fade-out faster. You might find it's more useful if you only hear the first part of the impulse.
Nov 17, 2019
sunbambino
Just tried that to great effect, whew, multplying ambient horizons, too good.

While I have your ear, Jeff, can I ask you this? In the Drum Transformer preset called Additive Static (mmmmm) is there a way to change the pitch of the effect?
Nov 19, 2019
Jeff C
All you have to do is find the IR file, load it into Logic or a sampler or whatever, and then change the pitch to the desired tone, then bounce a new file. You can drag a wav directly into Space Designer. Once you hear the tonal impulse response, you will realize it's trivial to create your own.
Nov 20, 2019
sunbambino
I think I know the answer to my own question, that pitch depends on the pitch of the sample in wav, am I right or ami I right? Still with what I have learned (and am learning) from this thread I'm heading off into wild blue audio with Space Designer... one of the koolest plugs out there
Nov 20, 2019
sunbambino
All you have to do is find the IR file, load it into Logic or a sampler or whatever, and then change the pitch to the desired tone, then bounce a new file. You can drag a wav directly into Space Designer. Once you hear the tonal impulse response, you will realize it's trivial to create your own.

Of course, problem solved ;-))
Nov 23, 2019

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