iPad 튜토리얼에 대한 GarageBand : 최대 설정

Here in North America the NHL playoffs are now in full swing and perhaps you're inspired to play some rocking organ! With GB on the iPad we get some great keyboard sounds with nifty screen controls! N  

여기 북미에서 NHL 플레이 오프가 한창인 지금 아마도 몇 락을 기관을 재생하는 영감 개봉된! 함께 iPad에 대한 GarageBand 우리는 멋진 스크린 컨트롤과 함께 멋진 키보드 소리를 해! 뿐만 아니라 우리가 녹음되었다 우리의 노래에서 이러한 키를 사용할 수 있지만 내가 최근 자습서에 설명된대로, 라이브 사용도 가능하다!

설치 및 필요한 장비

우리가 필요로하는 몇 가지가 있습니다.

  • Controller Keyboard with power supply - There are many to choose from and I use an Axiom Pro 61. You will definitely need the power supply as the iPad does not provide power through it’s dock port. If you want to use the Korg Nano series, you will need a USB hub with power supply.
  • Camera Connection Kit - Our keyboard controller communicates with GB through this device.

Axiom Pro 61

공리 프로 61

Apple's Camera Connection Kit

애플 카메라 연결 키트


각 악기는 자체 레이아웃 (필터 컨트롤 drawbars, synths와 오르간)이 아니라 그냥 키보드 위의 이러한이 악기 선택에 따라 달라질 것입니다 몇 가지 기능이있다. 예를 들어, 유지는 피아노 될 수 있지만 장기, 기관은 모든 악기에 따라 레슬리를위한 로타리 스위치를해야합니다.

당신은 화면 키보드를 사용하려는 경우, 키보드 컨트롤러를 사용하려고했지만, 당신은 화면 키보드가 응답하는 방법에 대해 다른 컨트롤을 얻을. 맨 왼쪽에있는 한 옥타브 플러스 및 마이너스입니다. 다시 선택한 악기와 오른쪽에 따라 달라질 글리 산도, 스크롤, 피치에 대한 중간 버튼은 규모, Arpeggiator 및 키보드 레이아웃이 있습니다.

글리 산도는 진짜 키보드 것처럼 열쇠를 통해 슬라이드 수 있습니다. 그의 손등을 사용하고 키를 아래로 슬라이딩이나 피아노 연주자의 생각.

스크롤은 메모를 재생할 수 있으며 그것을 누른 상태에서 키보드를 위나 아래로 슬라이드. 당신은 신속하게 화면 키보드의 여러 옥타브에 들어가해야하는 경우 유용합니다.

피치 피치 벤드 휠처럼하지만 단순히 손가락을 밀어서 메모 사이에 위아래 피치 또는 수 있습니다. 빈티지 synths에 대한 좋아!

당신은 음악의 조각에서 다른 홍보 비늘을 시도하려는 경우 규모가 솔로 적합합니다. 일단 당신이 사용하고자하는 크기를 선택, 키보드보다 한 행에 에나 마이너스 # / B 키를 같이됩니다. 당신은 이하 컨트롤러를 사용하는 경우에도 사용할 수있는 모든 메모를해야합니다하지만 당신은 iPad 그들을 재생하고 키보드에서 그들을 일치에 의해 사용되는 어떤 메모를 배울 수 있습니다. Youll는 곧 쉽게 Klezmer을 들려!

Arpeggiator은 아래 개최 한 화음 여러 노트를 연주 자유입니다. 당신은 메모 순서, 비율, 및 옥타브 범위를 선택할 수 있습니다. 댄스 조정이나 십대 황무지의 버전에 좋아! 불행하게도, arpeggiator는 이하 컨트롤러 작동하지 않습니다.

“Keyboard Layout/Velocity/Key Controls” - You can choose how you would like the onscreen keyboard to be set up with choices for one or two keyboards and octave range. 

“Velocity” on and off is simple enough but you also can control the velocity range depending on the instrument (no velocity for organ since there is none!) left to the middle of the screen.

“Key Controls” simply turns on and off the view of the middle button for “Glissando”, etc.

There is also a hidden feature that is very cool and similar to an aftertouch on a KB controller. Load in the “Vintage Lead” preset under “Synth Lead” and strike a note. Now move your finger up and down that note... instant filter sweep!

키보드 컨트롤러

Plug your keyboard into your Camera Connection Kit and make sure it’s secure as I find it can pop out easily. If it does, you may need to restart your iPad to get control again. Open up GB and navigate to the “Keyboard” instrument. Once this opens you can then select from pianos,organs, synths, etc. by tapping on the instrument in the middle of the screen. You can even store your own presets. 

Again, think of the iPad screen as the controls for the organs drawbars or synths filters. Unfortunately GB won’t record this data during recording. Pitch bend and Mod wheels will respond on your controller as will velocity and after touch. Also, there are no ways to assign a KB controller’s sliders or knobs to say, organ drawbars or synth knobs, although I did find my “master” slider with MIDI CC#7 controlled instrument volume.

스마트 악기를 사용하여

One feature I wish GB would allow is the use of “autoplay” but controlled via the KB controller. But there are some interesting ideas you can do by combining the “autoplay” feature and your keyboard. For example, select “Smart Keyboard” and choose one of the 4 “autoplay” modes. You then will see 3 bars with a chord on the top bar. The bar with the chord plays both left and right hand accompaniments, the middle bar is right hand only and the bottom is left hand bass. If you hit the top bar, you could solo on the KB controller. The middle bar could allow you to try bass combinations such as G-G/F-G/E or perhaps a piano bass line with a distinctive melody. Be careful though as the sustain is used most likely and can mush up your sound in the bass line. Using the bottom bar would allow you again more right hand solos or your own accompaniment.

If you want any electric or acoustic bass instruments, you will need to use “Smart Bass”. Using the acoustic bass gives a feature that is hard to emulate on the KB controller unless you get good with the pitch bend wheel... sliding your finger along a fretless neck. Simply select Acoustic Bass, switch the “Chords” to “Notes” and tap on the screen. It adds some realism to the bass line and with some practice, can give some convincing results. Further editing can be done on GB on your Mac.

“Smart Guitar” is very similar to the smart keyboard and bass features with one additional feature. If you use your KB Controller, you can strike chords on your keys!Now you can use the “autoplay” feature for arpeggiated chords and “strum” chords on your keyboard. Great too for having ostinato picking patterns with multiple chord changes. 

녹음 팁

First and foremost... PRACTICE! Yes... I said that again as I did in the last tutorial. GB on the iPad does not allow editing like GB on a Mac . Not even MIDI editing for wrong notes. Maybe in version 2... BUT... you can slow down the tempo, unlike the Guitar/Audio recording section, and speed it up after. If needed later, you can open up the song on your Mac and edit it there. You also can save time by recording repetitive parts and then looping them. Simply record your part, double tap on the track region and select “Loop”.

If your timing is not that great or you need to tighten up a section, “Quantization” will help. Simply tap on the top right “Mixer” in the Track view and select your quantization value. Use the fastest value you played. For example, if a lead synth line played as fast as 16th notes, use the 1/16 Note value. Quantization will also affect all of the tracks regions in a section! But... you can have different quantization on each section if a part gets moved from one section to another. Confused? Yeah... me too at first. If you quantize a part in Section A to 1/8 notes but then move it to Section B that is quantized to 1/16 notes, the new part will show “Multiple”. This is something I seriously hope Apple fixes as it’s frustrating if you need multiple quantizations within a section.

Also, don’t be afraid to record a part and try different instruments as your song may take on a whole new flavor choosing a clav instead of a piano for example. Try duplicating the track with a similar synth but with a different filter cutoff and panned hard left and right. Or use two totally different synths. Bass lines can get really fat with this idea! Slow your song down and play in your own idea of an arpeggiated pattern... speed up and loop!

Stay tuned for more GarageBand for iPad tips and tutorials. Till next time...don’t drive your neighbors nuts with the Minimoog playing Axel F or Tom Sawyer synth leads.

Ian Graham is an Apple Logic Pro Certified Trainer and audio professor. He has a degree in music composition and pipe organ as well as being an accomplished bassist. He runs a full production recording studio (www.smalldogstudio.com) which is off the grid with solar. His band Eye Rhyme also has the claim to broadcasting Canada’s firs... Read More


"Unfortunately, the arpeggiator does not work with a KB Controller." Yes this is very unfortunate, and I can't imagine WHY is there some reason for making it that way?!?

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