Hat Lesen Musik machen Sie eine bessere Musiker?

Think musician, and you may picture sheet music reading. But, is the ability to read music important? How crucial is it for professionals relying on computer software? Toby Pitman explores.  

Notenlesen, eh! Entweder tun, oder Sie nicht. Hows, die für das Offensichtliche! Ich frage mich, den anderen Tag, wie viele HUB Leser denken tatsächlich, dass das Lesen Musik eine notwendige Voraussetzung für die Musik zu machen, vor allem in einer Welt der computergestützten Musikproduktion ist.

Ich befinde mich in einer seltsamen Position hier, weil ein professioneller Musiker, dont ich Noten lesen. Nun das ist nicht ganz richtig. Ich kann lesen, aber ich bin keine sight-Leser. Es dauert eine Weile, bis gehen durch und arbeiten sie alle aus. Als ich ein sagen, wenn ich etwa einen Tag meine!

Es ist nicht wie ich weiß nicht, was all die Notizen, Timing-Werte und Markierungen bedeuten, seine nur es macht keinen Sinn für mich. Ich glaube, ich könnte Legastheniker, musikalisch sein! Ich denke, desto wahrscheinlicher Antwort habe ich nie üben Blattspiel daher Im nicht gut!

Zu sagen, dass ich keine Probleme beim Schreiben von Musik auf einem recht schnell abzuwehren haben. Welches ist seltsam! Die Sache Ive aufgefallen ist, dass wenn ich etwas zu lesen beginnen, und ich erkenne die Melodie, habe ich sofort

Ich muss zugeben, Im leicht zerrissen durch meine Fähigkeit (oder fehlende) aus den Augen zu lesen, und was ich für die Vorteile des Lernens der informelle Weise (nach Gehör) sein und nur damit auf, als ich wie viele andere Musiker gehen zu tun . Manchmal wünsche ich mir, ich könnte sigh-lesen und dann denke ich, Warum muss ich brauchen?. Ich denke, dass hängt welche Art von Musik Sie spielen und welche Art von Gigs youre gehen.

Das erste, was ich normalerweise sagen, Interessenten, die mir zu nähern für Sitzungen ist, dass ich nicht lesen. Ich denke, das ist die ehrliche und beste Weg zu nähern, was ich tun (und am wenigsten peinlich!!). Id sagen, es verliert mich einer von zehn Arbeitsplätzen.

Musik war schon immer traditionell auf Papier dokumentiert worden. Theres Hunderten von Jahren im Wert von Musik auf Partituren ermöglicht es uns, erleben und hören die Werke großer Komponisten wie Bach und Mozart, die lang sind seit gegangen genau so, wie sie sollen es klingen geschrieben. Theres nichts wie das Hören eine erstaunliche Orchester lesen diese Werke wieder zu uns wie ein großer Schauspieler könnte Rücklesen der Werke von Shakespeare laut.

Allerdings hat die Dokumentation der Musik nun deutlich, wo können Sie nun diese Musik und hören zurück, um es wann immer Sie wollen geändert. Eine Symphonie kann nun in einer MIDI-Datei oder eine MP3 gespeichert werden. Sie können nun dokumentieren Sie Ihre musikalischen Ideen, ohne die Notwendigkeit für eine Schriftsprache.

Die wichtige Sache zu erinnern ist, dass Musik eine Sprache ist. Im Alltag, gibt es kein Grund müssen Sie in der Lage sein Englisch lesen zu interagieren und kommunizieren mit jemandem, der Englisch spricht. Sie müssen nur in der Lage sein, Englisch zu sprechen. Mit Musik, die Sprache zu lernen ist sehr wichtig, wenn Sie mit den Einheimischen (Musiker) kommunizieren wollen, aber letztlich Musik spricht für sich selbst und kann von jedem, egal welche Sprache Sie sprechen verstanden werden. Und nicht in der Lage zu lesen, Musik zu machen Sie weniger musikalische oder in der Lage zu kommunizieren oder zu verstehen musikalischen Ideen. Sicher nicht!

Vielleicht haben Sie eine Meinung dazu? Wenn ja Id gerne hören. :)



For the past 20 years Toby has worked as a professional guitarist, programmer and producer. Clients include Sir Paul McCartney, George Michael, Shirley Bassey, Yusuf Islam, Giles Martin as well as the London 2012 Olympic Ceremonies. He has also worked extensively in TV, Advertising and Film. As well as composing himself he has also ... Read More

Discussion

Dave DeLizza
Depending on the type of gigs you want, can be the serious decider. A lot of the paying gigs that I've ever gotten that were not cover bands like playing in Pits at shows, it's obviously a necessity to read.

Also, at as a student of music, especially if you have any interest in jazz or classical, you are not ostracized completely but you are cut off from a large portion of literature. There are not a ton of classical and jazz tab books. They do exist, but far more in standard notation.

I always ask my students if they want to learn how to read music, but one thing that I always force them to do is to read rhythm. I teach guitar bass and drums. To me, being able to visualize the rhythm makes it so much easier to learn. Imagine doing math in your head without ever having written it down.

Nice write up an nice perspective, and I think you're right. To get paid and make music today, you don't need to read music. But there are plenty of reasons that you would want to.
ksandvik
It's easier to jot down notes for tracks if you know basic notation, at least writing down chord progressions. Similar if you want to play using Real Book and similar systems.
msonic
I don't know if you really NEED to read music to be a professional musician or if it makes you a better musician. I just know that I've gotten a lot of really cool gigs because I read music.
Paul Bissell
I have never found that reading music has detracted from my abilities to perform, produce, compose, transcribe, or any other music related activity that I have done for the past 30 years.

Quite the contrary, it has been one of the skills that has allowed me to move between genres and duties with little resistance; and in many situations made me one of the indispensable workers in a collaborative situation.

Need? That is completely contextual today as others have stated.

I think the best analogy is: Do you need to be bilingual?
Peter Schwartz
Paul nailed it with his first sentence. Personally I'm highly allergic to any and all quasi-justifications for a musician to not learn music (or, as an aside, music theory). To address several of your points... you mentioned the idea that a symphony can be "documented" by virtue of it being recorded. Well, you're not going to ever hear that piece recorded unless the musicians playing it have the original documentation in front of them -- in the form of a score and charts. And just because music is the closest thing we have to a universal human language, there's no equivalence in suggesting that learning how to read music might be moot. It's the difference between being in the audience and being a performer, and in many cases, between amateur and professional. Finally, if you're losing 10% of your gigs because you don't read music, that's a lot my friend!
matde007
Hi,

I discovered this discussion pretty late, but there are few aspects I’ld like to add.
I’m over 50 now and a classically trained musician (and I’m from Germany, so please excuse my bad English). I learned reading music when I was 5 or 6, started playing piano at the same age and started studying music (orchestral conducting) when I was 19.

At first sight this looks like a very classical education, but I was always involved in all kinds of music (jazz, rock, pop etc.).

I do a lot of arranging (for studio, live music, shows etc), and - of course - all of this music is written down.

A typical situation is, that somebody calls me to arrange some backing vocals for a song. When I come to the studio with my sheet music and find some singer there who can read music the job is usually done in 1 or 2 hours. Can you imagine how long it would take, if they don’t read music? If we really have to rehearse it instead of making a quick check? Time is money!

Another example:
think of any kind of orchestral music. Depending on how complex the music is you will never be able to hear exactly what the composer wrote (you will always hear what the conductor and/or the sound technician want to make you hear!). You need the score to find out. And then you might find out, that there are parts in it that you didn’t hear, or you didn’t understand. Without reading music there is no change to get closer.

Music for movies or games is a big thing nowadays. And there are a lot of people out there who would like to work in this business. First thing you can read in almost every book about scoring is: study the score of big romantic music. ...Wagner, Strauss, Stravinsky, Debussy, Ravel etc. - but therefore you must be able to read it.

And then there’s music theory: to achieve a certain sound, to write a proper second vocal line to a pop-song, to make a small vocal or string-arrangement sound big, to orchestrate your music in your DAW, to create certain musical effects etc. you should have good knowledge in music theory. But to understand it you should read music. An believe me: it’s very helpful mot just to follow your instincts but knowing what you do and why you do it.

I hear a lot of excuses from people who say that Hans Zimmer doesn’t read music, too. Or the Beatles, or („fill in whatever you want“). Maybe, but do you know who’s working in the background to make their ideas sound better?

One more thing: if you start learning a new language you’ll be taught a rule and at the same time 200 exceptions of the rule. That’s making it so hard.
Learning how to read music is so much easier: the system is totally logical. There are some rules to learn but there’re no exceptions to the rule. I don’t know, but maybe even here at macprovideo.com they’re offering a training (and if not they should consider it!) . ;-)

It’s not necessary to get happy, but it will open you a whole new world for your own music and your musical career.
Think about it. It's easy!

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