Создание Ветер FX: фильтрацию шумов в логику, используя ES1

In this Quick Tutorial, we'll look at how to create a classic analog synthesis sound — the sound of whistling wind — using Logic's ES1 synth.  

В этом Краткий учебный курс, мы будем смотреть на то, как создать классический аналоговый звук синтеза звука свист ветра использованием Логики ES1 синтезатора.


Шаг 1 - запуск ES1

Начните с открытия логики и выбора файла


Затем, в I / O сечение канала полоса на нижней левой части инспектора, нажмите и удерживайте умолчанию EVP88 виртуальных инструментов и выбрать ES1


Наконец, дважды щелкните синий ES1 кнопку, чтобы открыть ES1 окно:


Шаг 2 - Настройка ES1

Настройка ES1, как показано на скриншоте ниже:


Вот список всех основных параметров, слева направо и сверху вниз, и что они означают:

  • Mix is set to Sub only, because the Sub oscillator is the only one of the two that offers white noise. 
  • The Sub oscillator is set to Noise (the squiggly waveform). 
  • Drive is set to 0 (zero) to reduce distortion. 
  • Filter is set to '24dB classic' for the classic swept noise sound. 
  • The filter's Cutoff is set to about the middle position, but you can adjust that to taste. 
  • Resonance is also set to about the middle position. The increased Resonance is what gives you a sense of pitch and "whistly-ness" in the final sound. You can also adjust this to taste, but don't set it too high or it will self-resonate and provide too much of a sense of pitch. 
  • Key is set to the middle position, so that playing further up the keyboard will open the filter up a bit more and let you stack up multiple wind voices in different registers. 
  • In the bottom section, the Low Frequency Oscillator is set to a smoothed random waveform (the one at the 3 o'clock position), itself derived from white noise. Applying this to the Filter Cutoff will automatically vary the wind's pitch. Rate is set to 0.62 Hz; feel free to adjust this also. Higher frequencies will give you more active wind.
  • The slider to the left of the Router is set to the upper 3/4 of its range; this controls the basic amount of the Low Frequency Oscillator that is sent to control the filter's cutoff. In the Router itself, the filter's Cutoff is set as the destination for the Low Frequency Oscillator. 
  • The slider to the right of the Router is set to the lower 1/6 of its range; this sends a little more of the Low Frequency Oscillator to the filter's cutoff depending on your keyboard's trigger velocity.
  • Finally, the ADSR sliders are all set to Long or Full, or nearly so; this will give you long slow attacks and decays for your wind sound.


Шаг 3 - Заключение

Теперь играть пару нот на вашем MIDI-клавиатуры в середине своего диапазона, и вы услышите звук убедительные зимнего ветра. Попробуйте добавить длинный реверберации из космоса конструктор даже ghostlier звука:

[Аудио ID = "6749"]


И, как всегда, эксперимент и весело провести время в логике !



Richard Lainhart

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Richard Lainhart is an award-winning composer, filmmaker, and author. His compositions have been performed in the US, Europe Asia, and Australia, and recordings of his music have appeared on the Periodic Music, Vacant Lot, XI Records, Airglow Music, Tobira Records, Infrequency, VICMOD, and ExOvo labels. His animations and short films h... Read More

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