ایجاد تاخیر معکوس و عوارض Reverb استفاده در رکورد

یکی از روش های مورد علاقه من برای ایجاد جلوه های ویژه می باشد ، استفاده از تاخیر و reverbs معکوس است. این راه بسیار خوبی را برای تولید چیزها کمی غیر معمول است و یک راه بسیار خوبی برای ورود به دنیای طراحی صدا است. حتی مبتدیان در عمل می توانید در اینجا.

IM با استفاده از رکورد Propellerheads برای این آموزش ، اما در اصل شما می توانید از هر مرغی شبیه کلاغ با توانایی بازی برگشت صوتی استفاده کنید که ویژگی های اثرات تاخیر و ی Reverb plug - in ها. پس منم ، به خوبی... مرغی شبیه کلاغ فقط در مورد هر در این سیاره!

01 -- انتخاب برخی از صدا به فرآیند

First up you’ll need to focus on a specific audio part to process. Here I am using a vocal clip as I find that these effects work very well with vocals. My part is in total isolation so everything is nice and clear but of course if you are working on a project you can complete this process on one part amongst many.

With your audio selected make sure it’s solo’d and playing in total isolation. Now is a good time to check your audio for any faults, clicks, pops or overs. The last thing you need here are any imperfections being amplified by the processing... So make sure your audio is super clean.

صوتی است که به خوبی می شود درمان جدا شده است

The vocal we are going to process is isolated:

[صوتی ID = "6187"]

02 -- معکوس صوتی

Next open your audio file in your DAW’s audio editor. Record now features a more fully featured editor and has quite a few options for processing, one of which is the reverse function and this is exactly what we are after here!

صوتی معکوس شده است.

Once the audio is reversed play it back to check everything is present and correct. Also double check your levels at this point and ensure that you are working with plenty of headroom, you’re going to need it when the processing is applied.

معکوس ما صوتی آماده است

The vocal is reversed:

[صوتی ID = "6185"]

03 -- استفاده از Reverb استفاده یا به تاخیر انداختن

For the purpose of this tutorial I have decided to show the effect with both delay and reverb, so I have set up two send / returns in Record’s mixer. I have used Record’s excellent RV7000 Advanced Reverb to produce a very large reverb and a dedicated delay based Combinator to pump out a tape Echo pre-set in the other.

اثرات بازگشت اضافه می شوند

اثرات می فرستد در سوابق میکسر

The reversed audio with reverb added:

[صوتی ID = "6186"]

... و با تاخیر استریو :

[صوتی ID = "6188"]

با این اثر دو راه اندازی قادر به ارسال معکوس ما آوازی به هر دو آنها بود. اثر ما در حال گرفتن ، در حال حاضر بسیار ویژه ای که شما می توانید در کلیپ های زیر را بشنود. تا کنون ما در مورد راه نیمی از طریق فرایند و چند قدم قبل از ما انجام می شود .

04 -- صادرات اثر تنها

We need to export the results of our processing, and there are really two ways to go about this. You can export the whole thing, in other words the audio and effect, or you can export just the effects. 

In this case I exported just the effects stream as I’m a firm believer that this method gives you much more control over the finished product and a more balanced sound in general. 

Record offers some really great features for exporting very specific parts of your mix (an area from which other DAWs could learn a thing or two!). Once you have accessed the ‘Bounce mixer channels’ area you can actually home right in on the specific effects devices and just render their outputs.

سوابق طور کامل برجسته صادرات پنجره

With the isolated effects exported they are ready to be brought back into the project and mixed with the original dry parts to create the final effect.

The reverb effect in isolation:

[صوتی ID = "6190"]

[صوتی ID = "6189"]

05 -- دوباره و واردات نتایج ، ویرایش ، همزمان سازی و ترکیب

The bounced fx streams can now be imported into a couple of new audio tracks. Once this is complete you can go ahead and reverse all of the audio so everything is technically playing in it’s original state.

معکوس و هماهنگی با آهنگ

The newly imported (and reversed) effects audio will now need to be moved around so that it works nicely with the original dry parts. To do this I would strongly advise you to switch off any snap mode. This will allow you to be extremely accurate with the placement and give you a better chance of getting things right.

I generally use any obvious transients to get things in line. Although the effects have often masked much of the dynamic signature you should find this pretty straight forward and the effect files are usually pretty forgiving, so you don’t have to be mathematically correct here!

تمام آهنگ های در حال حاضر تراز وسط قرار دارد
Once the files are all in place you can mix their levels to strike a good balance between the  dry and effected files. What you should be left with is a great reverse reverb (or delay) effect. As you have all the files you also have complete control over levels, pan and any further processing you might want to apply.

همه صداهای در حال حاضر به ایجاد تعادل کلی خوب مخلوط

The reverse reverb effect is mixed with the original vocal:

[صوتی ID = "6191"]

و اثر تاخیر نیز مخلوط :

[صوتی ID = "6192"]

06 -- در حال ویرایش و بازیافت بیشتر

Although the effects already sound great you can always take things a step further if you like. You can cut your effected files up, reverse sections, add automation and even more effects processing if you like. All this can be done without effecting the original files.

برخی از اتوماسیون به سیستم های صوتی و تاخیر اضافه شده

In this case I’ve automated the pan on the delay channel and added some modulation effects to the reverb. The result is a trippy collage of sound that really enhances the vocal phrase. Now go and create your own reverse effects and see what you can create!

جلوههای اضافی نیز به Reverb استفاده معکوس ما اضافه شده

The final result with the extra effects and automation:

[صوتی ID = "6193"]