使用一台压缩机,以改善你的混音

The Compressor: a wonderful device that makes our music "POP", sound full and bring up that detail, open up that track from behind the door. The compressor is one of the most talked about, most used,  

压缩机:一个美妙的设备,使我们的音乐“POP”,健全完整的细节,开辟从门后面,跟踪。压缩机是最为关注的话题之一,最常用,最有影响力的,和他们一起走,给一个监听的方式来听音乐可能是最重要的设备否则将不能够。

压缩机也是一个掌握的工具,正如史蒂夫H在他教程系列逻辑401,逻辑的掌握工具箱。

无论你是一个逻辑的用户,或使用任何如Cubase DAW,Pro Tools中,记录,究其原因,Ableton Live中,在这篇文章中的压缩机提示可以帮助您善用您的压缩机!

继续阅读,以了解更多... ...

从“401逻辑,逻辑的掌握工具箱”

如果你真的想要一个严重的对压缩机采取一个严重的混合主,检查了奥拉夫Basoski的逻辑406其中奥拉夫演习下降到Logic的几乎每一个方面的压缩机在不同的电路设计并行压缩和一系列的大型清凉招数深贸易炫耀压缩机可巫师的魔杖混合。

奥拉夫Basoski的逻辑406 - 奥拉夫的电子乐的工作流程

如果你依稀熟悉的经典和标志性的压缩机设置在录制音乐行业标准,通用音频通过高超的UA插件步行在后硬件的经典和超越为蓝本的压缩机。退房UA:所有关于大卫克兰压缩

从UA:关于大卫克兰压缩

上述所有的MacProVideo教程是令人难以置信的宝贵压缩机饥饿的心灵。但是,如果你像我一样,你可以火起来的压缩机,迅速找到自己太过火,只是为了它压缩音频。

303从逻辑 - 逻辑TNT2

事实是,增加一台压缩机并不意味着你改善你的组合简单的行为。您当然可以听到有差别,当你转起来的弥补增益,但马丁的例子中,他显示了你如何不以判断单靠数量增加压缩机,但而是通过声音质量压缩机的音量水平没有变化提供。这个简单的测试,我做我每压缩机应用不管是什么东西。 对此压缩机压缩机的混合世界中的所有讨论,如果你不听压缩机,而不是体积变化,你并不真正知道什么说压缩机做的效果。

设置增益插头和一个水平仪您的压缩机,将使其能够听到在一个等量水平,同时在行动压缩机和混合无压缩机在行动,但您将能够取代以增益的增益差插头和保持你的水平,同时用一米来衡量你的水平,同时调整压缩机和/或获得插件。通过设立压缩机,调整设置以获得你的音轨或冠冕堂皇的方式,你想主母线输出,有较强的概率你会诱发一些压缩和使用弥补增益进入混音所需的电平范围该轨道。如果您使用额外的增益从压缩机,这是共同的,你有效地增加不仅对音频的平均水平,但整体体积以及。如果您关闭压缩机,在这种情况下,你的损失量将离开你无法真正告诉改善压缩机,或量的增加。

你如何解决这个难题呢?通过插入后信号的增益插件和电平表传递的压缩机。当您的音频是通过传递无压缩机的米,你会看到组合的实际水平。机会是你将要使用的压缩机轻微或者再稍微提高水平。使用仪表插件,可以监视的多少获得您是通过压缩机的加入。当您关闭压缩机,然后你可以使用增益插件设置音频电平,增加你与压缩机的水平。但是这一次,你仅听到音频和压缩机。

现在,你有你想获得它,你可以删除增益增加,压缩机的安装和简单使用的压缩机,以提高您的音频的平均成交量,但不增加或减少任何收益。通过打开和关闭压缩机,压缩机的效果差异不实际改变音量的情况下,你可以听到。

这种压缩机的检查方法,肯定会有一种方式来告诉到您的音频带或不带压缩机的区别到底是什么。现在你知道,如果压缩机是真正的帮助你的组合。

想了解更多吗?在文章中链接的教程

有一些压缩机的技巧或经验分享?让我们知道在下面的评论!谢谢!

Has a background in vacuum tube guitar amplifier building as Owner of Mojave Ampworks LLC. Victor is also a recording enthusiast, connoisseur of vacuum tubes and vacuum tube audio products, vintage music equipment and many other things audio both real world and virtual. His llst of cliental span from Billy F. Gibbons, Joe Walsh & Pete... Read More

Discussion

Stevesaxman
Yo Victor!

Awesome post.....You hit the nail on the head. What are your thoughts on the UA plugs? Do you use them? I'm pretty curious about the whole UAD-2 satellite setup so that your CPU isn't getting crushed by lots of plugs and/or big sessions.
Victor Mason
Hey Steve,
Thanks for the Kudos,
Good news, Logic has 64 bit which now makes use of so much more memory and if you spread out your plug-ins on AUX channels, you can better distribute your CPU load. If you're working with limited power, stick with the logic plugins. If you can afford the UAD, you're looking at deluxe city. The UAD is a superb product line and with the accelerator card, it has a lot to offer with less strain on the computer. I do not have the UAD product but one can always dream!

I must admit, with outboard compressors and other types of plug in compressors, the Logic product is amazingly good. If they did as Olav made mention, and dressed up the GUI of the Logic compressor plug in to look like those sexy ones we love to play with, the Logic product would be perceived differently. But Olav points out, its ear candy not eye candy were interested in.

Empirical Labs are widely popular especially the Distressors for their ability to be set to emulate so many of the classic sought after compressors in the market. The FATSO which universal Audio have recreated in software form and improved on is an excellent product and on it's own does a great deal. I find I need very little more then what I have now which is what I call the magic hardware pieces and my DAW pug-ins.

Toontrack is offering a low cost product called EZ mix for $79. It has a bunch of compressors set up with presets for drums, bass and guitars. They used real hardware to model the sounds you get with that plug in and it works both 32 bit and 64 bit which is really cool.
Take your time and work all the Logic compressors in detail storing your settings. You will find enormous flexibility with them and I like to use them in parallel or series with another compressor, hardware based and software etc.

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