8错误,以避免当制作音乐

So you're ready to record, mix and master that song/album/soundtrack? Joe Albano is here to ensure you don't succumb to any common pitfalls during the process. These tips should help...  

贯穿设置,记录,混合和母带的整个生产过程中,有任何数量的,可以进行的问题,可以裁剪起来,或失误,可以对最终结果产生不利影响。以下是8速的建议

1. Setup: Don’t wear too many hats

很多人

2. Setup: Don’t skimp on the monitoring

你做的每一个决定整个项目是基于你听到过什么样的显示器,所以这是一个领域,真正能

Fig 1 Monitoring is key—appropriate studio monitors and good musicians’ headphone mixes can make a big difference

图1监测是关键

3. Recording: Don’t ignore the performers’ monitor mix

正如你依赖于你听到的录音室监听器是什么,表演者依赖于他们所听到他们的耳机混音。如果依托轨道的融合,并将其与表演者之间的平衡

4. Recording: Don’t commit to processing on the way in

Fig 2 Processing added to a recording on the way in can often turn out to be too much later on at the mix stage—a gentle hand is best

图2处理加入到对罐头的方式记录常常练得后来太多的混音阶段

通常情况下,跟踪过程中,你可能会觉得你

5. Recording: Don’t “fix it in the mix”

这句话是一个古老的唱片业的笑话

6. Mixing: Don’t mix the same day as recording & editing 

这可能并不总是一种选择,但只要有可能,它

7. Mixing: Don’t try to make a mix sound like a master

Fig 3 Engineers are split over whether to add stereo bus processing in the mix, or leave it until the mastering stage

图3工程师们分成了是否要添加立体声总线处理的组合,或离开它,直到母带阶段

它可以是很好的做法

8. Mastering: Don’t master your own mixes

Fig 4 A proper mastering facility and engineer brings not only fresh ears, but experience and a reliable monitoring environment to the important final step of the production process

图4一个适当掌握设备和工程师,带来的不仅是新鲜的耳朵,但经验和可靠的监控环境,生产过程的最后步骤,

这给我们带来了我最后的建议

然后

Check out Joe Albano's Audio Concepts series video tutorials in The Academy HERE.

Joe is a musician, engineer, and producer in NYC. Over the years, as a small studio operator and freelance engineer, he's made recordings of all types from music & album production to v/o & post. He's also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magaz... Read More

Discussion

Eric Barker
All good, but I would add one more that's even more important than "Don't Skimp on Monitoring", and that is, "Don't Skimp on a room Treatment". I would argue that this is a cheaper (maybe), yet even more critical part of the monitoring (and possibly recording) chain. What's more is that often in project studios, you are recording in the same room as mixing, so the quality of your tracking will be improved too: you'll kill two birds with one stone.

The unsexy thing is it's more complicated and takes a lot more time and knowledge than deciding how much you want to spend on a pair of shiny new near fields. However, even the best monitors available are going to give unsatisfactory results in a poorly treated space. Instead of spending $800 on a pair of high-mid end monitors, for instance, I would argue that money would be vastly better spent if you took $400 and put it into room treatment, and settled for some slightly less pricy (but still adiquate) monitors.

On a budget, DIY solutions can be 4-8x cheaper than pre-made treatment, using the exact same materials and achieving the same results, but it takes lots of time and effort.

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