贯穿设置,记录,混合和母带的整个生产过程中,有任何数量的,可以进行的问题,可以裁剪起来,或失误,可以对最终结果产生不利影响。以下是8速的建议
1. Setup: Don’t wear too many hats
很多人
2. Setup: Don’t skimp on the monitoring
你做的每一个决定整个项目是基于你听到过什么样的显示器,所以这是一个领域,真正能
3. Recording: Don’t ignore the performers’ monitor mix
正如你依赖于你听到的录音室监听器是什么,表演者依赖于他们所听到他们的耳机混音。如果依托轨道的融合,并将其与表演者之间的平衡
4. Recording: Don’t commit to processing on the way in
通常情况下,跟踪过程中,你可能会觉得你
5. Recording: Don’t “fix it in the mix”
这句话是一个古老的唱片业的笑话
6. Mixing: Don’t mix the same day as recording & editing
这可能并不总是一种选择,但只要有可能,它
7. Mixing: Don’t try to make a mix sound like a master
它可以是很好的做法
8. Mastering: Don’t master your own mixes
这给我们带来了我最后的建议
然后
Check out Joe Albano's Audio Concepts series video tutorials in The Academy HERE.
Discussion
The unsexy thing is it's more complicated and takes a lot more time and knowledge than deciding how much you want to spend on a pair of shiny new near fields. However, even the best monitors available are going to give unsatisfactory results in a poorly treated space. Instead of spending $800 on a pair of high-mid end monitors, for instance, I would argue that money would be vastly better spent if you took $400 and put it into room treatment, and settled for some slightly less pricy (but still adiquate) monitors.
On a budget, DIY solutions can be 4-8x cheaper than pre-made treatment, using the exact same materials and achieving the same results, but it takes lots of time and effort.
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