8 اجتناب از اشتباهات به هنگام تولید موسیقی

Joe Albano on Sep 15, 2015 in Recording & Production 1 comments

So you're ready to record, mix and master that song/album/soundtrack? Joe Albano is here to ensure you don't succumb to any common pitfalls during the process. These tips should help...  

طول تمام مراحل تولید از راه اندازی، ضبط، میکس، و مسترینگ، هر تعداد از مشکلاتی که می توانید محصول، و یا اشتباهات است که می تواند ساخته شده، که منفی می تواند در نتایج نهایی تاثیر وجود دارد. در اینجا 8 پیشنهادات سریع

1. Setup: Don’t wear too many hats

بسیاری از مردم

2. Setup: Don’t skimp on the monitoring

هر تصمیم گیری شما را در طول یک پروژه در چه شما را از طریق مانیتور شنیدن است، بنابراین این یک منطقه است که واقعا می تواند

Fig 1 Monitoring is key—appropriate studio monitors and good musicians’ headphone mixes can make a big difference

شکل 1 نظارت کلیدی است

3. Recording: Don’t ignore the performers’ monitor mix

فقط به عنوان شما را در آنچه شما را بر روی مانیتور استودیو را بشنود بستگی دارد، اجرا در آنچه که در مخلوط هدفون خود را می شنوید بستگی دارد. اگر ترکیبی از آهنگ های حمایت و تعادل بین آنها و عملکرد

4. Recording: Don’t commit to processing on the way in

Fig 2 Processing added to a recording on the way in can often turn out to be too much later on at the mix stage—a gentle hand is best

شکل 2 پردازش های اضافه شده به ضبط در راه در اغلب می تواند تبدیل به بیش از حد بعد از در مرحله مخلوط

اغلب، در طول ردیابی، شما ممکن است احساس کنید که شما

5. Recording: Don’t “fix it in the mix”

این عبارت یک شوخی صنعت ضبط قدیمی است

6. Mixing: Don’t mix the same day as recording & editing 

این ممکن است همیشه یک گزینه باشد، اما هر زمان که ممکن است، آن

7. Mixing: Don’t try to make a mix sound like a master

Fig 3 Engineers are split over whether to add stereo bus processing in the mix, or leave it until the mastering stage

شکل 3 مهندسین تقسیم بر سر اینکه آیا به اضافه کردن پردازش اتوبوس استریو در مخلوط، یا تا زمانی که مرحله تسلط ترک آن

می توان آن را عمل خوب

8. Mastering: Don’t master your own mixes

Fig 4 A proper mastering facility and engineer brings not only fresh ears, but experience and a reliable monitoring environment to the important final step of the production process

شکل 4 یک مرکز تسلط مناسب به ارمغان می آورد و مهندس نه تنها گوش تازه، اما تجربه و یک محیط نظارت بر قابل اعتماد به مهم مرحله از فرایند تولید

و این ما را به آخرین پیشنهاد من به ارمغان می آورد

و آن

Check out Joe Albano's Audio Concepts series video tutorials in The Academy HERE.

Joe Albano

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Joe is a musician, engineer, and producer in NYC. Over the years, as a small studio operator and freelance engineer, he's made recordings of all types from music & album production to v/o & post. He's also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magaz... Read More

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Discussion

Eric Barker
All good, but I would add one more that's even more important than "Don't Skimp on Monitoring", and that is, "Don't Skimp on a room Treatment". I would argue that this is a cheaper (maybe), yet even more critical part of the monitoring (and possibly recording) chain. What's more is that often in project studios, you are recording in the same room as mixing, so the quality of your tracking will be improved too: you'll kill two birds with one stone.

The unsexy thing is it's more complicated and takes a lot more time and knowledge than deciding how much you want to spend on a pair of shiny new near fields. However, even the best monitors available are going to give unsatisfactory results in a poorly treated space. Instead of spending $800 on a pair of high-mid end monitors, for instance, I would argue that money would be vastly better spent if you took $400 and put it into room treatment, and settled for some slightly less pricy (but still adiquate) monitors.

On a budget, DIY solutions can be 4-8x cheaper than pre-made treatment, using the exact same materials and achieving the same results, but it takes lots of time and effort.
Jan 22, 2016

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