正如我们在得到使用所有可用的奇妙工具,在现代世界中混合,有时赶上
1. Don’t Hard-Pan
在DAW基本平移幅度是基于
当然,将有两个实际的信号源之间的微小的相位差,这是基于幅度的立体声声像的正常部分。但是,如果你平移向左或向右一路
这保持至少一个小的声音在两个扬声器,并保持这些宽摇动轨迹在虚拟声场,在那里它们
2. Don’t Bunch Up
在较小的室,有时扬声器可以位于相当接近,并且当一个混频器想要不同的轨道,以在不同的位置被清楚地分离,这可能导致平移东西到中心的倾向,最左边和最右边只。但是,用这种淘洗,一组音箱被更广泛地定位播放时(在,比如说组合,推荐60
心理声学,这个组合获得
3. Don’t Confuse Stereo Panning and Balancing
淘选的概念是与单磁道简单(如上所述),但可能具有立体声音轨少一些。有些数字音频工作站具有两个平移控制每个立体声音轨
但其他的DAW可能会采取不同的方法。例如,逻辑功能为单声道和立体声音轨单一的声像控制
当然,一个平衡控制有其用途,但不作为一个真正的立体声声像的替代品。它
4. Don’t Phase-Flip for Fake Stereo
有时候,而不是在混合平移单声道音轨,您可能希望扩大它
如果你想生成从单声道立体声假货,有更安全的方式去做。您可以复制的轨道,稍球场移(微移)两个副本几毛钱了
只要你避免了相位/极性翻转的技巧,你应该能够实现更宽的声场,同时仍保持单声道的兼容性
5. Don’t Forget to Pan for the Song
当组合上的各种轨道声像位置决定,它
通常你想尝试分配声像位置时要保持良好的整体左右平衡
在这种情况下,您
有处理音乐平移考虑这样没有硬性规定
把你的知识生产与视频课程下一级的Ask.Audio学院 。
Discussion
By "what happens" do you mean how might mono playback affect a mix made for stereo? Well, aside from the caveat about polarity-flipped fake stereo potentially canceling out in mono, in general, in mono playback you may lose some of the clarity you might have gained (thanks to the psychoacoustics of stereo hearing) by spreading the tracks out, and the center elements may be slightly more prominent, though the overall balance should still work just fine. The difference is usually subtle, and often not really a big cause for concern, but it was enough that when remastering the older Beatles catalog material that was originally mixed for mono distribution, there was much discussion about whether stereoizing those mixes was not being true enough to the originals, and they ended up releasing them both ways..
If mono reproduction may be a significant part of how the public first hears your music/mixes, then you might want to take a little extra time checking and possibly subtly tweaking a mix to insure that it will come across as well in mono as it does in stereo, just like we tweak a mix to work on different-sounding speakers and headphones -- there may be some small compromises, but it's part of the job when mixing for a commercial release to anticipate how the mix will sound on different playback systems in different environments, and make sure that while it sounds best in the primary format, it still works reasonably well even in less-than-ideal scenarios, of which mono playback might be one.
Btw, as you pointed out, this article is two years old, and re the comments about pan vs balance control in Logic, it’s worth noting that in the interim Logic introduced true stereo panning for stereo tracks, negating the need for the Direct Mixer in most cases. It uses one knob, but provides the same functionality as Pro Tools’ dual stereo pan knobs, and is well implemented.
Cheers,
Joe
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