11 Synth的混合

G.W. Childs IV on Oct 06, 2015 in Synths & Sound Design 3 comments

Don't commit cardinal sin after cardinal sin when it comes to mixing / programming your hardware or software synthesizer. The following 11 tips are what every self-respecting producer should know.  

合成器带来的不仅是巨大的，令人印象深刻的声音喜悦的业务流程，但也带来灵活性和选择，以经验丰富和萌芽生产商。然而，像所有的仪器，也有在那里合成器可以在一个组合被误用一些大的地方，如果你

1. Too Much Filter Resonance

过滤器扫地是一个典型的传统的电火花，恍惚间，和所有类型的电子乐，但即使让这些过滤器的尖叫声令人惊讶的几个措施，当过滤器过驱动，能真正得到一段时间后恼人发生的大声呼啸。绝对过滤扫描，和唐

2. Mixing Synth Basses On Heaphones

合成器可以打到一些严重的低频。而低音你

3. Using the Same Patches Non-Stop

3. Using the Same Patches Non-Stop

一个合成器就像任何仪器，如果您在拥有一个特定的补丁，你可以担当你的听众。当然，低音补丁可以在整个歌曲播放，因为他们保持一个声音的基础。信息，垫，拨弄和字符串，然而，当贯穿全曲演奏，没有休息，可以给你的听众重复的印象，导致无聊。尽量保留一些补丁/曲目的诗句，有的为合唱，然后留下一些补丁，像脸蛋儿，将整个赛道轻轻地洒。

4. Stacking Synth Basses

一对夫妇贝司合成器补丁开槽听起来惊人了耳机，但只要你听到了两种相互竞争的补丁打在彼此相同的频率范围的顶部，在俱乐部的音箱，甚至录音室监听，你可能会听到什么，但低音。尝试，而不是第二个低音拔毛，或领导风格的补丁。这将让你的低音在正确的地方，同时还为您提供一些很酷的中档伴奏。

5. Forgetting to Filter Those Big Pads!

合成器可以创造巨大的，厚厚的弦乐部分，共振扫描，合唱团等。但是，请记住，在phatter垫，在更广阔的空间占用你的组合。如果碰上这个问题，尝试要么采用带通滤波器杀死一些高频率，使空间的主唱，并推出了一些低频，使低音和踢有地方坐。

Forgetting to Filter Those Big Pads!

6. Use More Than One Step Sequencer Pattern!

我听到了很多演示的人谁想出了一些真正生病的步进音序器模式。但是，他们忘了，你可以创建多个模式！如果你

Use More Than One Step Sequencer Pattern!

7. Forgetting About Line Noise

老合成器，甚至新的硬件合成器常常会推迟一点嗡嗡声/背景噪声是听得见的，即使在合成器处于闲置状态。如果你

Forgetting About Line Noise

8. Forgetting to Save Patches!

花2小时引线补丁，坐在完美？唐

9. Use Sync As Much as You Can!

MIDI和控制电压均可以得到生产者在多个设备之间极其精确同步。运行多个图案定序器不同步听起来真的很乱，甚至当你

10. Adding Too Many Instruments!

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11. Forgetting the Song Underneath All the Electronics

没有什么比留下更大的沉默声明。而且，这将稀疏的仪表，和沉默的音乐领域，通过休息混音倾向于真正抓住观众的注意力。一般的，潜规则是较轻的安排，更亲密的歌曲遇到。之

Forgeting the Song Underneath All the Electronics

Conclusion

随着大国意味着巨大的责任，尤其是当它涉及到歌曲本身。然后

Learn all about synthesis in this excellent series of video tutorials at the Ask.Audio Academy

G.W. Childs IV

More articles by this author

Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like Lu... Read More

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Discussion

TORLEY
Good things to keep in mind, for sure!

#2 is not necessarily true with the right headphones — in fact due to proximity and tightness, you may actually reap the rewards of more accurate bass in headphones. In my case, it's a necessity due to hearing impairment with speaker positioning. I know this is atypical but it's my great comfort.

The sub-bass on the now-discontinued-but-too-awesome Sony MDR-XB700 is phenomenal and generous without being flabby. For anyone skeptical, I implore you to check out a pair for yourself.

Also re: #11, yeah, technical skills shouldn't overshadow the song itself. Contrasts within a track can be very powerful — such as a light/minimal intro leading up to an intense and dense climax. Another simple thing to do is, if your mix is too crowded and you don't want to simply disable certain tracks, well, just tremendously soften them. It's intriguing how these "shadows" still have a presence in the final mix. Even if they're barely heard... they can still be felt!
Oct 06, 2015
RSPalmer94
Really cool read :) thanks
Oct 07, 2015
Al Jonson
I agree with all stated, but I really appreciate #2 RE: Bass mix in headphones. Your comment is a confirmation to a personal experience. My mix seemed great in my Seinheiser Headphones, but when I played the song via my trucks sound sys., the low-end/floor caused distortion. Nice article, clear and true.
Oct 08, 2015

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